Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
For the first time Mendel faced his circumstances squarely. With
something of a shock he thought of the family arriving at Liverpool
Street and never in all these years moving more than half a mile away
from it, and that in this amazing London, with its trains and buses to
take you from end to end of it in a little over an hour. His mother
had never been west of the Bank. She did not even know where
Piccadilly Circus was, or the Detmold, or the National Gallery, or the
Paris Café, or Calthrop's studio, or any other important centre of
life. Liverpool Street she knew, and outside Liverpool Street were the
sea and Austria. . . . When there were no little happenings at home
she would always fall back on Austria and the troubled days at the
inn, and the soldiers who used to come in and ask to see the beautiful
baby before they thought of ordering drinks, and her rich uncle who
used to supply the barracks with potatoes and was so mean that he
refused to give her any when she had not a penny in the world, and the
neighbours who used to bring food so that the beautiful baby should
not starve. . . . They stayed where they were, stormily passionate,
yet with no sense of confinement, while he was drawn off into the
swiftly moving whirligig of London, going from house to house, studio
to studio, café to café, atmosphere to atmosphere, and all his
passionate storms were spent upon nothing, were absorbed in the
general movement, leaving him, tottering and dazed, in it, yet alien
to it, discovering no soul in it all and losing the clear knowledge of
his own.
Surely now that was ended. She had sent him the yellow roses, and he
had given them to his mother to join the two whom he loved. They must
have touched her face before they came to him, and Golda had buried
her face in them.
Impatiently he awaited the time for him to go to the Detmold. He put
on a clean collar and a black coat, but then he remembered how the old
Jews whom he asked to sit for him always put on clean clothes and
clipped their beards, under the impression that he wanted to
photograph them. In his clean collar and black coat he felt as though
he were going to the photographer's or to a wedding, and remembering
how he had been dressed when he saw her for the first time on the
stairs, he took out an old black shirt, a corduroy coat and trousers,
and a red sash.
He could not bring himself to wear the red sash. It reminded him of
Mitchell, who had been with him when he bought it.
* * * * *
It had been very hot. The walls and the pavements gave out a dry,
stifling heat. The smell of the street outside came up in waves--a
smell of women and babies, leather and kosher meat. He must wait for
the cool weather, he thought, before he asked her to the studio again.
Public-domain text, read in full here on John Shaqi.
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