Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"She is only a little girl," he said to himself. "She is pretty, but
she is only a little girl. I will tell her that she must not see
Mitchell again, because he is not true. I will paint her portrait, and
then I will not see her again, because she is only a little girl."
He sat in the window with the clock in front of him, and directly it
said half-past four he clapped his hat on his head, seized the
silver-knobbed stick which at that time was an indispensable part of
an artist's apparel, and bolted as though he were late for a train.
* * * * *
She was waiting for him. He took off his hat, but in his nervousness
he could not speak, and as he could not remember which side of a lady
he ought to walk, he bewildered her by dodging from one side to the
other with a quick, catlike tread, so that she did not hear him, and
whenever she turned to speak to him he was not there.
"Wasn't it a good picnic!" she said enthusiastically. "It's the best
picnic I've ever been to."
"They are usually pretty good," he said lamely. "I think we'd better
go by bus."
They mounted a bus and sat silently side by side.
When they stopped by the Cobden statue he said:--
"A friend of mine has just taken a studio in Camden Town. His name is
Logan."
"Was he at the Detmold?"
"No."
That settled Logan for her. She began to feel anxious. Was the
afternoon going to be a failure? Why could she never, never get the
better of her shyness? She wanted to make him happy because, on the
whole, people had been beastly to him and said such horrid things
about him. She wanted him to feel for himself, and not only through
her, that the world was a very wonderful place, a place in which to be
happy. He was so stiff and different, so taut and tightly strung up,
that lounging, loose-limbed Mitchell seemed graceful compared with
him. Yet there was something unforgettable about him, and he had
always had for her the vivid romantic reality of the beautiful young
men on the stage, who were creatures of a delicious, absurd world
which she would never enter and never wished to enter: a world where
young men opened their arms and young women sank into them and were
provided with happiness for ever and ever. Her vigour rejected this
world, for she knew and lived in a better, but all the same it had its
charm and its curious reality. . . .
She was not shy because she had kissed him. That had passed with the
shifting light through the trees and the clouds in the sky. It had
been vivid and true for that moment, but it had perished and fallen
away like a drop of water, like a rainbow.
Public-domain text, read in full here on John Shaqi.
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