Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He was plunged into a dejected silence, and with hardly a word more he
took her home.
* * * * *
They had a whole week of this warm happiness. He abandoned every other
thought, every other pursuit, every other friend. He put aside his
work to paint her portrait, and she came every day to his studio. At
night he hardly slept at all for his longing for the next day to come
and bring her to his studio, that now seemed immense, airy, ample even
for such a giant as he felt. . . . He adored her even when she
laughed, even when she teased him. He even learned occasionally to
laugh at himself. It was worth it to see the amazing happiness he gave
her.
One morning as he was painting her, he said:--
"I can't believe you are going away."
"It is true, more's the pity."
"But you are not going, for I will marry you."
He said this in a matter-of-fact tone as he went on with his painting.
The picture was coming on well and he was pleased with it. He stepped
back and looked at it from different angles. It seemed a long time
before she made the expected matter-of-fact reply, and he looked up at
her. She was hanging her head and plucking at her skirt nervously. She
heard him stop in his work, and she replied:--
"I don't . . . think . . . I want to marry you, Mendel. I don't . . .
think . . . I want to marry anybody."
"I'm making plenty of money and I can get commissions for portraits. I
could make it up with Birnbaum. We could go to Italy together."
"Don't make it harder for both of us, Mendel. . . . I don't want . . .
to marry."
"You will go back home, then?"
"Please . . . please . . ." she implored him.
A fury began to rise in him. He stamped his foot on the ground and
struck his brush across the picture. He made a tremendous effort to
recover himself, but before he could say another word she had slipped
through the door and was gone. He darted after her, and reached the
front-door just in time to see her running as hard as she could down
the street and round the corner.
Just as he was, in his shirt-sleeves, hatless and collarless, he went
in to see his mother. He was white-hot with rage, and he walked up to
her and looked her up and down as though he were trying to persuade
himself that she was to blame.
"What do you think the news is now?"
Golda put her hand to her heart and looked at him fearfully as she
shook her head.
"I've been refused," he said, "refused by the Christian girl."
"Refused!" cried Golda, who had never heard of such a thing as a girl
refusing to marry a rich young man.
"Yes. I proposed to her and she refused."
"The Christians are all alike," said Golda. "They keep themselves to
themselves, and you must do the same."
She took a smoked herring from the cupboard and cut it into portions.
Public-domain text, read in full here on John Shaqi.
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