Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
But she was aware of the curious blankness that had come over his end
of their twilight silence, and she suffered from it, thinking: "Am I
an awful woman? Can I give nothing?" And she turned to him to give,
and give all the rare treasures of her soul, of her heart, to lay them
before him for his delight. But what she had already given had let
loose a storm in him that blotted out all the beauty of the scene, all
the loveliness of their love, the gift and the taking of it, and left
him with only the dim light of her purity.
Soon the storm passed and they had nothing but an easy delight in each
other's company, each turning to each as to a warm fire by which to
laugh and talk and make merry.
He told her stories of his childhood, of his brothers and his father,
and Mr. Kuit, the thief, who had bought him his first suit; of his
childish joy in painting, and there he stopped short. Of his misery he
was unable to speak.
"You do believe in yourself," she said.
"Why not?" he replied; "I am a man. When I hold my hands before my
eyes they are real. They are flesh and blood. I must believe in them.
And I am all flesh and blood. I must believe."
"And everything else is real to you."
"Everything that I love is real. And what I do not love I hate, so
that is real too."
They wandered about the Heath until night came and the stars shone,
and then they plunged into the glitter of London, where all people and
things were deliciously fantastic and comic, flat and kinematographic,
as though, if you walked round to the other side, you would discover
that they were painted on one side only. It gave them the glorious
illusion of being the only two living people in the world, for they
and only they had loved since the world began, and all the other
lovers were only people in a story, living happily ever after or
coming to an end of their love, neither of which could happen to them
because they were, always had been, and always would be in love.
They dined at the Pot-au-Feu, where they encountered Mitchell, who had
the effrontery to come and speak to them. He was very friendly and
spoke as though nothing had happened. They told him they had been to
Hampstead and recommended him to try it when he found London too
stuffy.
When he had gone away, Morrison said:--
"I am going away soon."
"Going away? But you mustn't go away."
"I have to go next week. My mother has fits of anxiety about my being
in London every now and then, and she drags me off home. She has got
one of them now. She can't see that if any harm were going to happen
to me it would have happened during my first year, when I didn't know
anything and was very lonely. I don't think I'm very real to her,
somehow."
She gave a little shiver of distaste at the thought of going home.
"But you mustn't go away," said Mendel. "I want you, always."
"And I want to be with you, but if I refused to go home now, I should
have to go for always, for I should have no money."
Public-domain text, read in full here on John Shaqi.
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