Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Oliver, as they called her, was flushed with excitement, and kept on
telling Mendel that he was the prettiest boy she had ever seen. She
called Logan "Pip"--"Pip darling," "Pip dearest," "Pipkin" and
"Pipsy"--because she said he was like an orange-pip, bitter and hard
in the midst of sweetness.
"Pip says you're a genius," she said to Mendel. "What does he mean?"
Mendel disliked her, though he tried hard to persuade himself that she
was charming. He was baffled by the solemnity with which Logan was
taking her, for she seemed to him the type made for occasional solace
and not for companionship. Exploring her with his mind and instinct,
she seemed to him soft and pulpy, not unlike an orange, and if she and
Logan were to set up a common life, then he would be like a pip
indeed. . . . How could he explain to her the nature of genius? Can
you explain the night to an insect that lives but an hour in the
morning?
"I don't know," he said brusquely.
Logan was dimly aware that his friend and his girl were not pleasing
each other, and he set himself to keep them amused. He succeeded
fairly well, but his humour was forced, for he was under the spell of
the girl and the thought of the adventure to which she had consented.
She knew it, and was loud and shrill and triumphant, continually
setting Mendel's teeth on edge, for the purity of his instinct was
disgusted by the blurring and swamping of life by any emotion, and the
quality of hers was not such as to win indulgence.
"Logan will tell you what genius is," he said.
"She'll find that out soon enough if she lives with me," growled Logan
a little pompously.
Oliver put her head on one side and looked languishingly at Mendel as
she drawled:--
"It's a pity you haven't got a nice girl. Then there would be four of
us."
"Don't be a fool!" snapped Logan. "What does he want with girls at his
age?"
Oliver's lips trembled and she pouted in protest.
"I only thought it would be nice to round off the party. When you're
in love you can't help wanting everybody else to have some too."
Mendel was torn between dislike of her and admiration of Logan's
masterful handling of the problem of desire. . . . No nonsense about
getting married or falling in love. He saw the woman he wanted and
took her and made her his property, and the woman could not but
acquiesce, as Oliver had done. In a dozen different ways she
acknowledged Logan's lordship, even in her deliberate efforts to
exasperate him. Their relationship seemed to Mendel simple and
excellent, and he envied them. How easy his life would become if he
could do the same! What freedom there would be in having a woman to
throw in her lot with his! It would settle all his difficulties,
absolve him from his dependence on his family, and deliver him from
the attentions of unworthy women.
"How shall we dress her?" asked Logan.
Mendel took out his sketch-book and drew a rough portrait of Oliver in
a gown tight-fitting above the waist and full in the skirt.
Public-domain text, read in full here on John Shaqi.
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