Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"I should look a guy in that," she said. "It's nothing like the
fashion."
"You've done with fashion," said Logan. "You've done with the world of
shops and snobs and bored, idiotic women. You're above all that now.
In the first place there won't be any money for fashion, and in the
second place there's no room in our kind of life for rubbish. You're a
free woman now, and don't you forget it, or I'll knock your head off."
"But it's a horrible, ugly dress," said Oliver, almost in tears.
"It's what you're going to wear. I'll buy the stuff to-morrow and make
it myself. What colour would you like?"
"I won't wear it."
"Then you can go back to your shop."
"You know I can't. I've said good-bye to all the girls."
"Then you'll wear the dress."
"I shan't."
"For God's sake don't quarrel," said Mendel. "One would think you had
been married for ten years. Let her wear what she likes until she
wants some new clothes."
"Highty Tighty! Little boy!" sang Oliver. "You talk as though I were a
little girl."
"You behave like one," snapped Mendel, and her face was overcast with
a cloud of malignant sulkiness.
* * * * *
They went on to a music-hall, where Logan and she sat with their arms
locked and their shoulders pressed together, whispering and babbling
to each other.
Mendel sat bolt upright with his arms folded, staring at the stage but
seeing nothing, so lost was he in the contemplation of the strange
turn of affairs by which the adventure which had promised to lead him
straight to art had deposited him in a muddy little pool of life. He
would not submit to it. He would not surrender Logan and all the hopes
he had aroused. Prepared as he had been to follow Logan through fire,
he would not shrink when the way led through the morass. Friendship
was to him no fair-weather luxury, and nothing but falsehood or
faithlessness in his friend could make him relinquish it.
He told himself that Logan would soon tire of it, that Oliver would go
the way of her kind. She was, after all, better than Hetty Finch,
since she had a capacity for childish enjoyment.
She revelled in the sentimental ditties and the suggestive humours of
the comedians, pressed closer and closer to Logan, and grew elated and
strangely exalted as the evening wore on. And as they left the
music-hall she gripped Mendel's arm and brought her face close to his
and whispered:--
"Do wish me luck, Kühler. Give me a kiss for luck."
He kissed her and mumbled: "Good luck!"
"Come and see us to-morrow," she said. "We shall be all right
to-morrow."
"Oh, come along!" cried Logan, dragging her away; and Mendel stood in
the glaring light of the portico and watched them as, arm in arm, they
were swallowed up in the crowd hurrying and jostling its way home to
the dark outer regions of London.
Public-domain text, read in full here on John Shaqi.
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