Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"I am glad to see you," said Mr. Sivwright. "I've been meaning to
write to you, but I've been away, out of London."
Mendel introduced him to his friends and asked him to sit down.
"I can't stop a moment," said Mr. Sivwright. "I'm very busy. I have
just started a club for artists--opens at eleven. These absurd closing
hours, you know. I hope you'll join. It has been open a week. Great
fun, and I want some frescoes painted. . . . I'm very proud of your
success, Kühler. I feel I had my hand in it."
He produced a prospectus and laid it on the table, bowed awkwardly to
Oliver, and with a self-conscious swagger, as though he felt the eyes
of all in the café upon him, made his way out.
"Who's that broken-down tick?" asked Logan.
"Sivwright," answered Mendel. "He taught me when I was a boy. He's a
very bad artist, and he thinks art ended with Corot. I learned to
paint like Corot. Really! I used to go with him to the Park and weep
over the trees in the twilight: I never thought I should see him
again."
"Oh! people bob up," said Logan. "We go on getting longer in the
tooth, but people recur, like decimals."
"Would you like to go to his club?" asked Mendel. "It says 'Dancing.'
I feel like dancing."
"Oh! I love dancing," said she.
Logan assumed his air of mysterious importance and said it was time to
go to Tysoe's.
"We're twenty minutes late," he said; "Tysoe would be dreadfully put
out if we were punctual."
As Mendel had plenty of money they took a taxi-cab.
* * * * *
Mr. Tilney Tysoe was an idealist, and he had no other profession. He
was a very tall man with a long cadaverous face, great bulging, watery
eyes, and extraordinarily long hands, which hung limply from his
wrist, except when he was excited, when they shot up with extreme
violence, and carried his arms with them into a gesture so awkward
that he had to find relief from it in a shrug. He was devoted to the
arts, had a stall at the opera, a study full of books, and several
rooms full of pictures. An artist was to him a great artist, a book
that pleased him was a great book, and his constant lament was over
the dearth of great men in public life. It gave him the keenest
delight to see Logan, unkempt, wild-haired, shaggy, violent and
brusque, enter his daintily furnished drawing-room, and his eyes
passed eagerly to Oliver, looking just as she ought to have done, the
mistress of a Bohemian.
"Delighted! Delighted!" he said as he coiled his long white hand round
Mendel's workmanlike paw. "My wife, I regret to say, is away. She will
be so sorry to have missed you. Like me, she is tired of the shallow,
artificial people we live among. We both adore sincere, real people. I
adore sincerity. Sincerity is genius."
"That is true," said Logan in a sepulchral voice that made Mendel
jump. "At least, where you find sincerity, you may be sure that genius
is not far behind."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account