Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
There was no danger of that. Mendel's was not the kind of head into
which ideas are easily put. He was slow of comprehension, powerful in
his instincts, and everything he perceived had to be referred to them.
School was to him a perfectly extraneous experience. What he learned
there was of so little use to any purpose of which he was conscious,
and it could not be shared with his mother. To her schooling was the
law of the land. A strange force took her boy from her every day and,
as it were, imprisoned him. When he was fourteen he would be free. She
must endure his captivity as she had learned to endure so much else.
When Mr. Jacobson had gone she said: "There have been boys like that,
and a good boy never forgets his father and mother."
Mendel looked puzzled and said: "When _I_ drew a picture of teacher he
caned me."
"Caned you?" cried Golda, horrified.
"He often does."
"Thrashed you!" cried Golda; "on the hands?"
"No," replied Mendel, "on the seat and the back."
Golda made him undress, and she gave a gasp of anger when she saw the
weals and bruises on his back. "But what did you do?" she cried.
"I don't know," answered Mendel. This was true. At school he would
suddenly find the teacher towering over him in a fury; he would be
told to stay behind, and then he would be flogged. He had suffered
more from the humiliation than from the pain inflicted. He could never
understand why this fury should descend upon him out of his happy
dreams. And now as his mother wept over the marks upon his body the
suffering in him was released. All the feeling suppressed in him by
his inability to understand came tearing out of him and he shook with
rage. He could find no words to express these new emotions, which were
terrible and frightened him.
Lotte came up and felt the weals on his back with her fingers, and she
said: "They don't do that to girls."
Public-domain text, read in full here on John Shaqi.
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