Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
At last the orchestra struck up through the poet's reedy chanting,
couples made their way to the stage, and the dancing began. Morrison
still sat prim and preoccupied. Mendel put his arm round Jessie's
waist, his fingers sank into her young, supple body, and he lifted her
to her feet and rushed with her over to the stage. The whole place was
humming with life, beating to the chopped rhythm of the vacant
American tune.
"I do love dancing with you," said Jessie, as he swung her into the
moving throng of brilliantly dressed women and black-coated men, so
locked together that they were like one creature, a strange, grotesque
quadruped. And Jessie so melted into him, so became a part of him,
that he too became another creature, an organism in the whirling
circle supported and spun round by the music. It was glorious to feel
his will relaxing, to feel the lithe, soft woman in his arms yield to
every impulse, every movement. He danced with a terrific
concentration, with a wiry collected force that made Jessie feel as
light as a feather.
"Oo! That was lovely," she said when the music stopped. "You do dance
lovely."
"It was pretty good," said Mendel. "But wait until they play a waltz."
"I want to dance with you," cried Oliver. "You said I should dance
with you."
And she had the next dance with him; but there was no lightness in
her, only a greedy fumbling after sensation.
"This is awful!" thought Mendel, never for a moment losing himself,
and all the while conscious of Morrison sitting there unmoved: of
Morrison, whom he was trying to forget. Oliver seemed to envelop him,
to swallow him up. He was conscious of holding an enormous woman in
his arms and her contact was distasteful. The dance seemed endless.
Would the music never stop? . . . One, two, three. . . . One, two,
three. . . . It was like a dancing class with the fat Jewesses at
home. . . . And all the time he was conscious of Morrison's big blue
eyes staring at him. Would she never stop her damnable smiling?
He returned Oliver to Logan shamefacedly, as though he were paying a
long-standing debt.
Jessie returned from her other partner to him.
"Oh! It isn't anything like the same," she said; "and that is such a
lovely tune to dance to."
Now that the dancers were warmed up they refused to allow any
intervals. They had their partners and were unwilling to stop. The
orchestra was worked up into a kind of frenzy, and Mendel and Jessie
were whirled into an ecstasy. They abandoned the conventional steps
and improvised, gliding, whirling, swooping suddenly through the
dancers. Sometimes he picked her up and whirled her round, sometimes
his hands were locked on her waist and she bent backwards--back, back,
until he pulled her up and she fell upon his breast, happy, panting,
deliriously happy.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account