Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Jessie gave little cries of happiness to feel the growing strength in
Mendel's arms, the waxing power of his smooth movements. She gave
little cries like the call of a quail, and he laughed gleefully every
time she cried. He could feel the force rising in him. It would surely
burst out of him and break into molten streams of laughter, leaving
him deliciously light, as light and absurd as dear little Jessie, who
was swinging on the music like a dewdrop on a gossamer. . . . If only
the music would last long enough! He would be as tremulous and light
as she, and while that lightness lasted he could love her and taste
life at its highest point--for her. . . . She was aware of his desire,
and swung to it. It was like a wind swaying her, thistledown as she
was; like a wind blowing her through the air on a summer's day. O that
it might never end, that the sky might never be overcast, that the
rain might never come and the night might never fall. . . . Terrible
things had happened to Jessie in the night, and she was happy in the
sun.
Mendel was past all dizziness. The room had spun round until it could
spin no more, and then it had unwound itself, making him feel weak and
giddy. He was very nearly clear-headed, and every now and then he
caught a glimpse of Logan sketching and of Oliver, sitting with a
sulky pout on her lips and tears in her eyes because she wanted to
dance and knew she had made a failure of it.
"Lovely! lovely! lovely!" sighed Jessie.
"You are like the white kernel of a nut," said Mendel, "when the shell
is broken."
"Do let me come and sit for you," she said. "I won't want anything
except my dinner."
"Better keep to the dancing," he answered, as he spun her round to
stop her talking.
She began to stroke his neck and to press her face against his breast.
At the same moment he saw Morrison among the dancers. He slowed down
and then stopped dead. The music rose to an exultant riot of sound.
"Please, please!" cried Jessie, clinging to him; but he had forgotten
her.
Morrison and her partner swept past him, and he watched them go the
full circle. She saw him standing, and as she approached broke away
from her partner.
"Why aren't you dancing with me?" he said, shaking with eagerness to
hear her speak.
"I'm no good at dancing," she said. "I don't enjoy it."
"Who brought you here? Calthrop?"
"He brought Clowes and me. . . . You mustn't stop dancing. Your
partner. . . ."
"Please, please!" cried Jessie, stamping her foot; "the music is going
to stop."
"Wait a moment," he said, turning to Morrison. "Are you going home?"
"The day after to-morrow."
"I must see you."
Before she could reply her partner, who had lost his temper, seized
her and made her finish the dance, and when it was over he marched her
back to Calthrop's party, and he never left her side again.
Mendel returned to Logan and Oliver, to find them impatient to go. The
end of an evening always found them in this impatient mood.
Public-domain text, read in full here on John Shaqi.
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