Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
And Mendel thought that England was indeed best. For him, then,
England meant his mother's kitchen, with its odd decorations from
Tottenham Court Road, its dresser crammed with gilded china and
fringed with cut green paper, its collection of his early pictures,
almost all hanging crooked, and the hard wooden chair in which Golda
sat all day long with her hands on her stomach, dreaming and brooding
of her life, which through all her hardships had been sweet because of
her beautiful child whom everybody loved and spoiled, as she herself
loved and spoiled him because he was not like other children. England
was best because it could contain that peace and that beauty, and
there was nothing in England to harm it or in envy to destroy it.
Mendel could understand his brother wanting to come back to it; for
he, too, from all his adventures, returned to its simplicity for
strength and comfort.
Moscowitsch came in with a Jewish paper. He was in a terrible state of
anger and hatred. His eyes flashed and his nostrils quivered as he
read out how a Jew in Russia had been accused of killing a Christian
boy for his blood, and how over a thousand Jews had been massacred on
the instigation of the police.
"It grows worse and worse," he said. "The Jews do not kill. It is the
Christians who lust for blood. It is the Christians who are so wicked
and dishonest that, when they must be found out, they say it is the
Jews, or that the Jews are more wicked than they. It is impossible.
But England is good to the Jews. England must send soldiers to Russia
or the Jews will be all murdered."
"Yes, it is bad in Russia," said Golda, nodding her head. "But life is
bad everywhere for good people. Only in England one is left alone."
"Well, Mr. Artist!" said Moscowitsch genially. "Made your fortune
yet?"
"No," replied Mendel; "but I have been to Paris for my holidays and I
stayed in a hotel. Three of us spent twenty pounds."
"So?" said Moscowitsch, impressed. "Have you made it up with the
Birnbaum, then?"
"No."
"That is not the way to get on, to quarrel with money."
"If he wants money," said Golda, "he can always get it. What more do
you want? There are some letters for you, Mendel."
He opened his letters, and had the satisfaction of telling Moscowitsch
that he was asked to paint a portrait for thirty pounds.
"Who is it?" asked Moscowitsch. "A lord?" He had an idea that only
lords had their portraits painted by hand.
"That's better," he said. "That's better than painting those pictures
that nobody wants. You paint what they ask you and you'll soon make
your fortune, and be able to give your mother dresses covered with
beads and tickets for the theatre and china ornaments. And you can be
thankful you don't live in Russia. They wouldn't let you be an artist
there. If you became a student they would send you off to Siberia and
you would die in the snow."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account