Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
It was the first time Moscowitsch had spoken to him since the breach
with Birnbaum, and Mendel was at his ease with him again, and glad to
be with his people. He knew that Moscowitsch was greatly attached to
Golda, and had more than once urged his being taken away from his
painting and put to some useful trade.
"Oh! I shall very soon succeed," he said boastfully. "This is only a
beginning. You keep an eye on that paper of yours. You will find
something else to read besides what Russia does to the Jews. You will
see what England does for a Jew when he has talent and honesty."
"They made Disraeli a lord," said Moscowitsch.
"I shall be something much better than a lord."
"They only make painters R.A."
"I shall be much better than that," said Mendel.
"It is like old times," laughed Golda, "to hear him boasting."
Mendel opened another letter. It was an invitation to become a member
of an exhibiting club which considered itself exclusive.
"I have been invited to become a member of a club."
That settled Moscowitsch. A club to him was proof of success and
social distinction. He and his wife had made the acquaintance of a
member of the music-hall profession who had two clubs, and they
counted him a feather in their caps. To have a member of a club in the
family was almost overwhelming, and he forgot the sorrows of the Jews
in Russia.
* * * * *
The portrait commission was from Edward Tufnell, who had lately
married and had been adopted as a candidate for Parliament for a
northern constituency. Good earnest soul that he was, he regarded
himself as responsible for launching Mendel upon the world, and once
he had assumed a responsibility he never forgot it. Nothing made any
difference to him. He had heard tales of the boy's wildness, but he
accepted responsibility for that too, read up the histories of men of
genius for precedent, and acknowledged the inevitability of the flying
of sparks from the collision of a strong individuality and the habits
of the world.
He had always intended to give his protégé a lift, and had tried in
vain to badger his father and his uncle, partners in a huge woollen
manufactory, into having their portraits painted. They preferred to
sink their money in men with reputations. He did not see how Mendel
could acquire a reputation except by giving him work to do. On the
other hand, he shrank from what he considered the vanity of having his
own portrait painted, but his charmingly pretty wife gave him the
opportunity he desired.
Therefore he invited Mendel to his house in the dales to stay until
the picture was finished.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account