Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He suggested that they should walk in the Park and spend the day
together, and she consented, glad that all the reproaches and storms
she had dreaded should be so lightly brushed away.
* * * * *
Happy, happy lovers, for whom nothing can defile the heavenly beauty
of this earth; happy, from whom Time streams away, bearing with it all
the foolish, restless activity of men; happy, for whom the pomps and
vanities of the world are as though they had never been! Thrice happy
two, who in your united spirit bear so easily all the beauty, all the
suffering, all the sorrow in the world, and bring it forth in joy, the
flower of life that cometh up as a vision, fades, and sheds its seed
upon the rich, warm soil of humanity. Emblem of immortality for ever
shining in the union of spirits, in the enchantment of two who are
together and in love.
* * * * *
So happy were they that they wandered for the most part in silence
through the avenues and over the grassy spaces of the Park.
Of the two, she had the better brain, and, indeed, the stronger
character. She had been toughened in the struggle to break out of the
web of hypocrisy and meaningless tradition of gentility in which her
family was enmeshed, and the freedom she had won was very precious to
her. She kept it as a touchstone by which to measure her acquaintance
and her experience, and, using it now, she realized that there were
two distinct delights in being with Mendel on this tender autumn day;
one tempted her with its promise of furious joys and wild, baffling
emotions. It seduced her with its suggestion that this way lay
kindness, the gift to him of his desire, peace, and satisfaction. But
behind the suggestion of kindness lay a menace to her freedom, which,
being so much more precious than herself, she longed for him to share,
as in the keen happiness of that day he had done. That was the other
delight, more serene and more rare, infinitely more powerful, and she
would not have it sacrificed to the less. The gift of herself to which
she was tempted must mean the blending of her freedom with his, for
without that there would be no true gift, only a surrender.
She could not think it out or make it clear to herself, but she knew
that it was surrender he was asking, and she knew that if she
surrendered she would be no more to him in a little while than the
other women of passage with whom his life was darkened.
Ought she not then to tell him, to keep him from living in false
hopes? She persuaded herself that she ought, but she did not wish to
spoil this delicious day. It was such torture to her when he blazed
out at her and he became ugly with egoism.
"Of course," he said, "the _Ruth_ makes all the difference. I can't
let you go now, because you are the only one who has really understood
my work. I am almost frightened of it myself, and it makes me feel
desperately lonely when I think of all I shall have to go through to
get at what it really means."
Public-domain text, read in full here on John Shaqi.
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