Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
THE boat-train had disgorged its passengers, who had huddled together
in a crowd round the luggage as it was dragged out of the vans, and
then had jostled their way out into the London they had been so long
approaching. When the crowd scattered it left like a deposit a little
knot of strange-looking people in brilliant clothes who stared about
them pathetically and helplessly. There were three old men who seemed
to be strangers to each other and a handsome Jewess with her
family--two girls and three boys. The two elder boys carried on their
backs the family bedding, and the youngest clung to his mother's
skirts and was frightened by the noise, the hurrying crowds of people,
the vastness and the ugly, complicated angular lines of the station.
The woman looked disappointed and hurt. Her eyes searched through the
crowds, through every fresh stream of people. She was baffled and
anxious. Once or twice she was accosted, but she could not understand
a word of what was said to her. At last she produced a piece of paper
and showed it to a railway official, who came up thinking it was time
these outlandish folk moved on. He could not read what was written on
it, for the paper was very dirty and the characters were crabbed and
awkwardly written. He turned to the old men, one of whom said
excitedly the only English words he knew--"London--Jewish--Society."
The official looked relieved. These people did not look like Jews, and
the eldest girl and the little boy were lovely. He went away, and the
woman, whose hopes had risen, once more looked disconsolate. The
little boy buried his face in her apron and wept.
A suburban train came wheezing into the platform, which was at once
alive with hurrying men in silk hats and tail-coats. Catching sight of
the brilliantly attired group, the handsome woman and the lovely girl,
the boys with their heads bowed beneath the billowing piles of feather
bedding, some of them stopped. The little boy looked up with tears in
his eyes. One man put his hand in his pocket and threw down a few
coppers. Others followed his example, and the little boy ran after the
showering pennies as they bounced in the air, and rolled, span, and
settled. He danced from penny to penny and a crowd gathered; for, in
his bright jerkin and breeches and little top-boots, dancing like a
sprite, gay and wild, he was an astonishing figure to find in the
grime and ugliness of the station. Silver was thrown among the pennies
to keep him dancing, but at last he was exhausted and ran to his
mother with his fists full of money, and the men hurried on to their
offices.
The official returned with an interpreter, who discovered that the
woman's name was Kühler, that she had expected to be met by her
husband, that she had come from Austrian Poland, and that the address
written on the piece of paper was Gun Street. The number was
indecipherable.
Public-domain text, read in full here on John Shaqi.
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