Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"Very well," he answered, feeling that the whole world had come to an
end. "Very well."
She called Clowes, who had stayed just inside the door, and together,
like little frightened children, they crept downstairs.
"Good-bye love!" said Mendel. "My God, what rubbish, what folly, what
nonsense! Love and a Christian girl! That's over. That's finished. I
am outside it all--outside, outside, outside. Oh! Dark and vile and
bitter, and no sweetness anywhere but in my own thoughts!"
Inside the room someone began to sing:--
I want to be, I want to be,
I want to be down home in Dixie. . . .
Oh! the mad folly of these Christians, with their childish songs,
their idiotic pleasures, their preposterous belief in happiness. . . .
Happiness! They ruin the world to satisfy their childish longing, and
all their happiness lies in words and foolish songs. . . . The rhythm
of the pianola tunes began to beat in his head, and another deeper
rhythm came up from the depths of his soul and tried to break through
them. It was the same rhythm that always came up when he had reached
the lowest depths of misery. It came gushing forth like water from the
rock of Moses, and crept through his being like ice, up, up into his
thoughts, bringing him to an intolerable agony.
In the room glasses clinked. He turned towards the light and plunged
into the carouse.
VI
REVELATION
THREE weeks later the exhibition of Modern French Art was opened in an
important gallery in the West End. It roused indignation, laughter,
scorn, and made such a stir in the papers that public interest was
excited and the exhibition was an unparalleled success. People from
the suburbs, people who had never been to a picture gallery in their
lives, flocked to see the show, and most of them, when they left,
said: "Well, at any rate we've had a good laugh."
Mendel never read the papers and knew nothing at all about it. These
three weeks had been a time of blank misery for him. He could not
work. His people set his teeth on edge. He could not bear to see a
soul, for he could not talk. When he met friends and acquaintances,
not a word could he find to say to them. There was nothing to say.
They were living in a world from which he had been expelled. More than
once he was on the point of going to his father and asking to be taken
into the workshop, since the only possible, the only bearable life was
one of hard manual labour, which left no room for spiritual activity,
none for happiness, and very little for unhappiness.
Public-domain text, read in full here on John Shaqi.
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