Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He found some consolation in going to the synagogue. His mother was
delighted, but the religion was no comfort to him. What pleased him
was to see the old Jews in their shawls and the women in their beaded
gowns, praying each in their separate parts of the building--praying
until they wept, and abasing themselves before the Lord. What woe,
what misery they expressed! All the year round was this dismal
wailing, and there was only happiness on the day that Haman was
hanged. . . . It seemed good and decent to him that the sexes should
be separate before the Lord, as they should be separate before the
holy spirit that was in them. They should meet in holiness, hover for
a moment above life, then sink back into it again to gather new
strength. So love would be in its place. It could be gathered up and
distilled. It would not be allowed to spread like a flood of muddy
water over life, which had other passions, other delights, other
glorious flowerings.
It had been a great day for him when, in a little shop near his home,
he had come on a pair of wooden figures rudely carved by
savages--African, the shopman said they were. Rudely carved, they were
not at all realistic, but admirably simplified, the man and the woman
sitting side by side, naked. The man was wearing a little round bowler
hat, while the woman was uncovered. They had the spirit and the idea
that he most loved--the idea of man and woman sitting side by side,
bound in love, unfathomably deep and unimaginably high, until one
should follow the other to the grave.
He showed them to Golda, and told her they were she and his father.
"What next will you be up to?" she said. "Why, they are blackamoors."
"They are you and my father," he said, caressing the figures lovingly.
"I wish you would put the thought of that girl out of your head," she
said tenderly. "It is making you so ill and so thin, and I dare not
think what your father will say when he knows you are drinking again."
"Mother," he said, "when did you begin to love me?"
"When you were born," she said.
"Yes, yes. I know, as a cow loves its calf. But I mean _love_, for you
do not love the others the same as me."
"You were not so very old when it came to me that you were different."
"But it is more now that I am a man?"
"Of course."
That settled his mind on the point that had been bothering him.
Everywhere among the Christians love--the love that he knew and
honoured--seemed to be lost in a soft, spongy worship of the mother's
love for her child. The woman seemed to be wiped out of account
altogether except as a mother. It seemed that she was not expected to
love, and she was left by herself with the child, with the man looking
rather foolish all by himself, seeing his strong, beautiful masculine
love absorbed and given to the senseless little lump of flesh in the
woman's arms. It was like discarding the flower for the seed, like
denying the wonder of spring for the autumn fruit.
Public-domain text, read in full here on John Shaqi.
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