Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mendel began to drink. The orchestra behind him sent the rhythm of a
waltz thumping through him. But it went heavily, without music or
tune. One--two--three. It was like having molten lead poured on the
nape of his neck, threatening to jerk his head off his spine. From
where he sat he could not see the dancing-floor, except reflected in a
mirror opposite him. . . . Oh! it was a gay sight and a silly It had
nothing to do with him. He could see nothing but Oliver with the grim,
haggard face looking over her shoulder. He gulped down a glass of
wine. That was better. It made things bearable. He poured out another
glass of wine.
"I think there is more in the Futurists than the Cubists," said the
young artist.
"In art," said Mendel, turning on him savagely, "there is neither past
nor present nor future; there is only eternity. You try to make a
group out of that, and see how you will get on. You can put that at
the head of your manifesto and your group would melt away under it
like the fat on a basted pigeon."
He put out his hand for his glass, but Morrison had taken it and was
drinking.
"You'll make yourself drunk," he said, taking it from her gently.
"I finished it all," she said, with an unhappy smile. "I didn't want
you to drink it, and you looked so tragic I knew it would be bad for
you."
The young artist crept away. Mendel took Morrison's hand and gripped
it.
"I'm glad you are with me," he said. "Look at Logan!"
Never taking his eyes off Oliver, Logan had begun to move towards her
with his hand in his breast pocket. He had nearly reached her, with
his eyes glowing almost yellow under the electric light, when he
changed his mind, swung round, and went to another table and sat with
his head down, biting his nails.
The dancing was fast and furious, and this time it was the flute which
played an obbligato, thin, fantastic, and comic, real silvery fun,
like a trickle of water down a crag into a pool in sunshine.
Thompson went to the dancing-floor with a girl in fancy dress--a
columbine's costume. That seemed to relieve Logan, who jumped to his
feet, walked quickly round to Oliver, bent over her, and spoke to her.
Her face wore an expression of amazed delight. Her eyes were drawn to
his, and though she shrank under them, she seemed to go soft and
flabby: she could not resist them. There was no menace in Logan now,
only an attitude of fixed mastery, an air of taking possession of her
once and for all, of knowing that at last he would get the longed-for
satisfaction.
They spoke together for a little longer, then she rose and put her
hand up and caressed his cheek and neck as though it hurt her to see
them so thin--as though, indeed, she refused to believe what her eyes
told her.
Public-domain text, read in full here on John Shaqi.
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