Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"No. This is much worse than death. It is foolish to seek any meaning
in death, for death is not the worst."
It was no good turning to his people, for he knew that he was cut off
from them. They were confined in their Judaism, from which he had
broken free. That was one of the dead things which had been taken from
him.
His mother could not help him, because she could not endure his
unhappiness. The pain of it was too great for her, and he had to
invent a spurious happiness, to pretend that he was working as usual,
though with great difficulty, and that, as usual, he was out and
about, seeing his friends. And in a way this pretence gave him relief,
though he suffered for it afterwards. He suffered so cruelly that he
was forced by it into making an effort to grope back into life.
He was able to take up his work again, and the exercise of his craft
soothed him, though it gave him no escape. The conception of his
market picture was dead. It was enclosed in Judaism, from which he was
free. Yet he had no other conception in his mind, and he knew that any
picture he might paint must spring from it. So he clung to the dead
conception and made studies and drawings for its execution.
Some of these drawings he was able to sell to Tysoe, who worried him
by coming to talk about Logan and was nearly always ashamed to leave
the studio without buying. Mendel was saved from borrowing of his
people, which had become repugnant to him now that he no longer
belonged to them.
It was through Tysoe's talk that he was able to push his way through
the tragedy of Logan and Oliver back to life. Tysoe insisted that the
cause of it was jealousy, but Mendel knew that Logan was beyond
jealousy, and, piecing the story together, he saw how Oliver had set
herself to smash their friendship because it fortified in her lover
what she detested, his intellect, which, because she could not satisfy
it, stood between him and his passion for her. If anyone was
responsible it was she, for she had tried to smash a spiritual thing
and had herself been smashed. . . . And Mendel saw that had he tried
to smash the relationship between Logan and Oliver he too would have
been broken, for that also was a spiritual thing, though an evil. And
he saw that, but for Morrison, he must have tried to smash it. His
obligation to her had given him the strength to resist, to make his
escape. Oliver had triumphed, evil had triumphed, and she and Logan
were dead and he had to grope his way back to life, and if he could
not succeed in doing that, then she and evil would have triumphed
indeed, and what was left of him would have to follow the dead that
had gone with Logan.
Public-domain text, read in full here on John Shaqi.
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