Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He sought the society of his father and of the old Jews, the friends
of the family, and was left marvelling at their indifference to good
and evil. They knew neither joy nor despair. They had yielded up their
will to God, upon Whom, through fair weather and foul, their thoughts
were centred. They lived in a complete stagnation which made him
shudder. Their lives were like stale water, like unmoved puddles, from
which every now and then their passions broke in bubbles, broke
vainly, in bubbles. Nothing brought them any nearer to the God upon
Whom their thoughts were centred, and only Time brought them any
nearer to the earth.
And yet Mendel loved them in their simple dignity. They had a quality
which he had found nowhere in the Christian world, where men and women
had their thoughts centred on the good, leaving evil to triumph as it
had triumphed in Oliver. . . . She had wanted good. With all the power
of her insensate passion, her blind sensuality, she had wanted love,
the highest good she could conceive. . . . But these old Jews were
wiser: they wanted God, Whom they knew not how to attain. Yet God was
ever present to them.
In Mendel, too, this desire for God became active and kindled his
creative will. He plunged into his work with a frenzy, but soon
recognized that he was committing the old offence and was "overseen."
. . . Yet how shall a man approach his God if not through art?
"Something is lacking!" cried Mendel desperately. "Something is
lacking!"
His imagination flew back to that last sublime moment of friendship
with Logan, but it lacked warmth. It seemed that he could not take it
back into life with him, or that until he had established contact with
life its force could not be kindled. . . . Oh! for sweet, comfortable
things--flowers, and rare music, a white, gleaming tablecloth, and
good meats!
He thought, with envy, of Edward Tufnell and his wife going along the
road on either side smiling at each other, so happily smiling. And
then he thought with more satisfaction of the old Jews. They were the
wiser and the more solid. They walked in the middle of the way, and
good and evil went on either side and neither could attain them. . . .
His thoughts swung between those two extremes like a pendulum, and out
of the momentum thus created grew a force in his mind which began to
find its way towards the God he was seeking. But it was only in his
mind. His force, his passion, were left slumbering in the hypnotic
sleep imposed on them by the tragedy.
Yet the mental impulse kept him working in a serene ecstasy. He could
make the design for his picture, and simplify his figures into a form
in which he knew there was some beauty, or at least that it could hold
beauty and let no drop of it escape.
He could return then to his normal life, and made Golda very happy by
joking with her and spending many evenings in her kitchen.
"You should take a holiday," she said. "You look tired out."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account