Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mr. Kuit came in at the tail of all this excitement, and added to it
by saying that he was just off to America, first-class by the Cunard
Line, for he was going to start in style, live in style, and come back
in style. He was delighted to hear of the brilliant future opening up
before Mendel, and told wonderful stories of famous pictures that had
been stolen, cut out of their frames and taken away under the very
noses of the owners. He was wonderfully overdressed, not loudly or
vulgarly, but through his eagerness to be and to look first-class. He
produced a pack of cards and showed how he could shuffle them to suit
himself, and three times out of five, through the fineness of the
touch, he could "spot" a card. He was a wonderful man. The Kühlers
gaped at him, and Moscowitsch, in emulation, was led on to brag of his
smartness in business, and how he had thrice burned down his
timber-yard and made the insurance people pay up. Yet, though he
warmed up as he boasted, he lacked the magic of Mr. Kuit and could not
conceal the meanness of his deeds behind their glamour. He lumbered
along like a great bear behind Mr. Kuit, and was vexed because he
could not overtake him, and when the glittering little Jew, who seemed
more magician than thief, said he would give Mendel a new suit of
clothes for his entry into the world of art, Moscowitsch promised to
provide a new pair of boots. Mr. Kuit countered with two new hats,
Moscowitsch with underclothes. On they went in competition until
Mendel was magnificently equipped, and at last Moscowitsch laid two
new sovereigns on the table and said they were for the boy's
pocket-money. Not to be outdone, Mr. Kuit produced a five-pound note
and gave it to Golda to be put into the Post Office Savings Bank.
Public-domain text, read in full here on John Shaqi.
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