Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
She said he cared more for his drawing than for her, and indeed he
would sometimes draw for a couple of hours and then kiss her almost
absent-mindedly, just as she was going. He was so happy and satisfied
and could not imagine her being anything less, or that she might wish
to express in music-halls and "fun" what he expressed in his work.
He felt gloriously confident, and naïvely told his mother how happy he
was. Everything had come back. He could draw better than ever. He
would be a great artist.
Once more he took to painting in the kitchen. The studio was dedicated
to the girl, Sara, who came to him in spite of her disappointment. He
had spoiled her for other boys.
He painted all day long in the kitchen, and his life became ordered
and regular. He went for a walk in the morning, then worked all day
long until the workpeople began to clatter downstairs, when he would
pack up his paint-box and run up to the studio to wait for Sara to
come tapping softly at his door.
Golda was overjoyed at his new happiness and the budding manhood in
him, but she knew that this springtime of his youth could not be
without a cause. She knew that he was in love and was fearful of
consequences, and dreaded his being fatally entangled. She kept watch
and saw Sara stealthily leave the house hours after the other
workpeople had gone. She told Jacob, and Sara was dismissed and
forbidden ever to come near the house again.
V
A TURNING-POINT
AT first Mendel hardly noticed the passing of Sara. He waited
anxiously for her to come, but when she never appeared he went on
working, only gradually to discover that the first glorious impulse
had faded away. However, the habit of regular work was strong with
him, and he could go on like a carpenter or a mason or any other good
journeyman. But there was no one to buy what he produced, and his
father began to talk gloomily and ominously of the workshop.
"Never!" said Mendel. "If I am not a great artist by the time I am
twenty-three I will come and work. If I have done nothing by the time
I am twenty-three I shall know that I am no good."
"I can see no reason," said Jacob, "why you should not work like any
other man and paint in your spare time. Issy is a good dancer in his
spare time, and Harry is good at the boxing. Why should you not paint
in your spare time and work like an honest man?"
Mendel turned on his father and rent him.
"You do not know what work is. You work with your hands. Yes. But do
you ever work till your head swims, and your eyes ache because they
can see more inside than they can outside? If I cannot paint I shall
die. I shall be like a bird that cannot sing, like a woman that has no
child, like a man that has no strength. I tell you I shall die if I
cannot paint."
"Yes, he will die," said Golda. "He will surely die."
"He will die of starvation if he goes on painting," replied Jacob.
Public-domain text, read in full here on John Shaqi.
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