The café was a kind of temple and had its ritual. It was the aim of the painters to "put some life into dear old London." Calthrop had given a lead. He had determined that London should be awakened to art, as the writing folk of a past generation had aroused the swollen metropolis to literature and poetry. London should be made aware of its painters as Paris was aware of the Quartier Latin. Bohemia should no longer be the territory of actresses, horse-copers, and betting touts. The Paris Café therefore became the shrine of Calthrop's personality, and thither every night repaired the artists and their parasites, who saw in the place an avenue to liberty and fame. In the glitter and the excitement, the brilliance, the colour, the women with their painted faces, the white marble-topped tables, the mirrors along the walls, the blue wreathing tobacco-smoke, Calthrop's personality was magnified and concentrated as in a theatre. The café without him was Denmark without the Prince, and Mendel found the hours before he came or the evenings when he did not come almost insupportable. Yet it was not the man's success or his fame or his notoriety that fascinated the boy, whose instinct went straight to the immense vitality which was the cause of all. Calthrop was a huge man, dark and glowering. To Mendel he was like a figure out of the Bible--like King Saul, in his black moods and the inarticulate fury that possessed him sometimes; and when he picked up and hurled a glass at some artist whose face or whose work had offended him, he was very like King Saul hurling the javelin. There was always a thrill when he entered the café. The buzz would die down. Where would he sit and whom would he speak to? . . . It was one of the greatest moments in Mendel's life when one evening Calthrop came sweeping in with his cloak flung round his shoulders and sat opposite him and his three companions and raised a finger and beckoned. "He wants you," said Mitchell, pushing Mendel forward. "Come here, boy," growled Calthrop, stabbing with his pipe-stem in the direction of the seat by his side. "Come here and bring your friends. Bought a drawing of yours this morning. Damn good." Mitchell, Kessler, and Weldon came and sat at the table, all too overawed to speak. "What's your drink, heh?" Drinks were ordered. "Rotten trade, art," said Calthrop. "Dangerous trade. Drink, women, flattery. Don't drink. Marry, settle down, and your wife'll hate you because you're always about the place. . . . God! I wish I could be a Catholic. I'd be a monk. . . . My boy, don't get into the habit of doing drawings. They won't look at your pictures if you do, and we want pictures--my God, we do! Everybody paints pictures as though they were for a competition. You've got life to draw from--real, stinking life. That's why I have hopes of you."