Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mendel was so fluttered and flattered that he could only gulp down his
drink and blink round the café, feeling that all eyes were upon him;
and indeed he was attracting such attention as had never before been
bestowed on him. A girl at the next table ogled him and smiled. She
was with a young man whom the four detested and despised. This young
man reached over to take a bowl of sugar from their table. To take
anything from the great man's table without so much as "By your leave"
was sacrilege and was very properly resented. There was a scuffle, the
sugar was scattered on the floor, glasses fell crashing down, Mitchell
and Weldon hurled themselves on the young man, and the manager came
bustling up, crying: "If-a-you-pleess-a-gentlemen." But there was no
breaking the mêlée. A waiter was sent out for the police, and three
constables came filing in. One of them seized Mitchell, and Mendel,
half mad with drink and excitement, seeing his beloved friend, as he
thought, being taken off to prison, leaped on the policeman's back and
brought him down. In the confusion Calthrop and the others slipped
away and Mendel was arrested, still fighting like a wild cat, and led
off to the police-station, the constable whispering kindly in his ear:
"Steady, my boy, steady. A youngster like you should keep clear of the
drink."
The inspector smiled at the extreme youthfulness of the offender, but
decided that a taste of the cells would do no harm and that the boy
had better be sober before he was sent home. So Mendel had four hours
on a hard bench until a constable came in and asked him if he wanted
bail. He said "Yes," and, when asked for a name, gave Calthrop's, who
presently arrived and saw him liberated, after being told to appear in
court next morning at ten o'clock.
When he reached home he found his mother waiting up for him with wet
cloths in case his head should be bad.
"What now? What now?" she asked.
"I've been in prison."
"Prison!" Golda flung up her hands and sat down heavily. For her all
was lost. It was true then, that, outside in the world, at the other
end of it, was always prison, for the just and for the unjust, for the
old and for the young, for the innocent and for the guilty.
He tried to make light of it. For him, too, it was a serious matter.
He saw himself figuring in the Sunday papers: "Famous Artist in the
Police Court," with his portrait in profile as on a medallion.
Birnbaum and Sir Julius would read it. He would be taken away from the
Detmold and Edward Tufnell would never speak to him again. He
astonished, embarrassed, and delighted Golda by flinging himself in
her arms and sobbing out his grief.
VIII
HETTY FINCH
Public-domain text, read in full here on John Shaqi.
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