Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mendel waited outside and paced up and down, oppressed with the idea
that his friendship with Mitchell was at an end. He was left helpless
and exposed, for all that had been built on the friendship had come
toppling down, and with it came the extra personality he had developed
for dealing with the Detmold and the polite world--the Kühler who had
assiduously learned manners and phrases, vices and enthusiasms, as a
part to be played at the Paris Café and in the drawing-rooms of the
languid ladies who were interested in art and artists. Hetty Finch
went with it, for she had been an adjunct of that personality. . . .
He was glad to be rid of her, and shook her off, plucked her out of
his mind like a burr that was stuck upon it.
After a quarter of an hour or so Mitchell came out more mysterious
than ever, took his arm and led him into the restaurant, which was
hardly bigger than an ordinary room. Full of vigour and health as he
was, Mendel felt an enormous size in it, as though he must knock over
the tables and thrust his elbows through the painted panels. Madame
Feydeau, the proprietress, greeted him with a wide smile and said she
had missed him lately. At his table was the goggle-eyed man who dined
there every night with his newspaper open in front of him. Weldon and
a girl with short hair were sitting in uncomfortable silence, both
with the air of doing a secret thing. Near the counter, with its
dishes of fruit and coffee-glasses, was Hetty Finch, rather drawn and
pinched in the face and very dark under the eyes.
Mendel was filled with impatience. She had no business to be sitting
there, for he had disposed of her, and she made everything seem
fantastic and unreal. He shook hands with her and sat at the table.
Mitchell took the chair next to Hetty and talked to her in an
undertone, while her eyes turned on Mendel with a frightened,
inquiring expression.
"All right," he said, as though he had understood her question. "I
know when to hold my tongue."
Mitchell went on whispering, and every now and then he bowed his head
and clenched his fists, as though he were racked with inexpressible
emotions. He too had become fantastic. Mendel knew that he was
play-acting, and with a sickening dread he went back over all he knew
of Mitchell, recognizing this same play-acting in much that he had
accepted as genuine. Yet he would not believe it, for Mitchell was his
friend, and therefore never to be criticized.
Would neither of them speak? Food was laid before him, and he ate it
without tasting it. Mitchell led Hetty away to another table and
talked to her impressively there. Then he brought her back and went on
with his whispering.
Coffee was laid before Mendel, and he drank it without tasting it.
At last Hetty said, in a loud voice that rang through the room:--
"No. I will take nothing from you. I ask nothing from you, not a
penny."
"By God," said Mitchell, hanging his head, "I deserve it."
Public-domain text, read in full here on John Shaqi.
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