Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Hetty turned to Mendel and asked him sweetly to buy her a bottle of
wine, as she needed something to pick her up.
"You are a devil," she said, "sitting there as though nothing had
happened. But I always said you were a devil and no good. I always
said so, but I have my friends and can be independent."
"Don't be a fool," said he roughly. "You'll have a short run, and
you'd better find something to fall back on while you can."
"Get your hair cut!" she replied. "I know which side my bread's
buttered, and the old men aren't so sharp as the young ones. You've
got a fool's tongue in your clever head, Kühler, and a fool's tongue
makes enemies."
"Shut up!" he said. "And you leave Mitchell alone. He hasn't done you
any harm."
"Ho! Hasn't he?" she cried.
Mitchell groaned, and, giving a withering glance at the two of them,
Hetty gathered up her vanity-bag and gloves and walked out of the
restaurant.
"She's a slut!" said Mendel. "She always was a slut and always will
be."
"Gawd!" cried Mitchell. "It was you let her loose on the town, and I
shall never hold up my head again. I shall never be able to face my
people. I shall just let myself be swallowed up in London. . . . But I
shan't trouble any of my friends. When I'm a pimp I shan't mind if you
look the other way. After all, it isn't so far to fall. There's not
much difference between the ordinary artist and a pimp."
"What has she done to you?" cried Mendel furiously. "Why do you let
yourself be put down by a drab like that?"
"She's not a drab," said Mitchell, in a curious thin of protest. "She
is the mother of my child."
Mendel brought his fist down on the table with a thump, so that the
cups jumped from their saucers.
"She is what?"
"The mother of my child," said Mitchell, burying his face in his
hands. "I have offered to marry her, to make an honest woman of her,
but she refuses, and she will take nothing from me. Gawd! How can I
ever face Morrison again? How can I face my mother?"
"Rubbish! Rubbish! Rubbish!" cried Mendel. "Why you? Why not
Weldon--why not Calthrop?" He saw the goggle-eyed man listening
eagerly and lowered his voice. "A drab like that deserves all she
gets. She takes her risks, and I'll say this for her, that she does
not complain. She's clever enough to know how to deal with it. . . ."
He wanted to say a great deal more, but realized that Mitchell, intent
upon his own emotions, was not listening to him. Also, through the
fantastic atmosphere, he began to be aware of a reality powerful and
horrible. Against it Hetty seemed to be of no account, and Mitchell's
excitement was palpably false.
This reality had been called into being by no one's will, and
therefore it was horrible.
"I shall have to disappear," said Mitchell.
Public-domain text, read in full here on John Shaqi.
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