Sinclair, Mary Craig, 1883-1961; Sinclair, Upton, 1878-1968; Telepathy; Telepathy -- Case studies
The next drawings were produced in the following manner. The one at the
top (Fig. 4) was drawn by me alone in my study, and was one of nine, all
made at the same time, and with no restriction upon what I should
draw—anything that came into my head. Having made the nine drawings, I
wrapped each one in a separate sheet of green paper, to make it
absolutely invisible, and put each one in a plain envelope and sealed
it, and then took the nine sealed envelopes and laid them on the table
by my wife’s couch. My wife then took one of them and placed it over her
solar plexus, and lay in her state of concentration, while I sat
watching her, at her insistence, in order to make the evidence more
convincing. Having received what she considered a convincing telepathic
“message,” or image of the contents of the envelope, she sat up and made
her sketch (Fig. 4a) on a pad of paper.
[Illustration: Fig. 4]
[Illustration: Fig. 4a]
The essence of our procedure is this: that never did she see my drawing
until hers was completed and her descriptive words written; that I spoke
no word and made no comment until after this was done; and that the
drawings presented here are in every case exactly what I drew, and the
corresponding drawing is exactly what my wife drew, with no change or
addition whatsoever. In the case of this particular pair, my wife wrote,
“Inside of rock well with vines climbing on outside.” Such was her guess
as to the drawing, which I had meant for a bird’s nest surrounded by
leaves; but you see that the two drawings are for practical purposes
identical.
Many tests have been made, by each of the different methods above
outlined, and the results will be given and explained in these pages.
The method of attempting to reproduce little drawings was used more than
any other, simply because it proved the most convenient; it could be
done at a moment’s notice, and so fitted into our busy lives. The
procedure was varied in a few details to save time and trouble, as I
shall later explain, but the essential feature remains unchanged: I make
a set of drawings, and my wife takes them one by one and attempts to
reproduce them without having seen them. Here are a few samples, chosen
at random because of their picturesque character. If my wife wrote
anything on the drawing, I add it as “comment”; and you are to
understand here, and for the rest of this book, that “comment” means the
exact words which she wrote _before_ she saw my drawing. Often there
will be parts of this “comment” visible in the photograph. I give it all
in print. Note that drawings 1, 2, 3, etc. are mine, while 1a, 2a, 3a,
etc., are my wife’s.
In the case of my drawing numbered five, my wife’s comment was:
“Knight’s helmet.”
[Illustration: Fig. 5]
[Illustration: Fig. 5a]
Public-domain text, read in full here on John Shaqi.
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