Sinclair, Mary Craig, 1883-1961; Sinclair, Upton, 1878-1968; Telepathy; Telepathy -- Case studies
After we had started, I said, “Why don’t you try some of the drawings on
the way?” We were passing through the Signal Hill oil-field, amid
thunder of machinery and hiss of steam and flashing of headlights of
cars and trucks. “It will be interesting to see if I can concentrate in
such circumstances,” said Craig, and took one envelope and held it
against her body in the darkness, while I went on with my job of
driving. After a few minutes Craig said, “I see something long and
oblong, like a stand.” She got a pad and pencil from a pocket of the
car, and switched on the ceiling light, and made a drawing, and then
opened the envelope. Here are the pictures; I call it a partial success
(Figs. 26, 26a):
[Illustration: Fig. 26]
[Illustration: Fig. 26a]
Here is the next pair, done on the same drive to Pasadena (Figs. 27,
27a):
[Illustration: Fig. 27]
[Illustration: Fig. 27a]
Then came a drawing of an automobile. Considering the attendant
circumstances, it was surely not surprising that Craig should report it
as “a big light in the end of a tube or horn.” There were many such
lights in her eyes.
Then a fourth envelope: she said, “I see a little animal or bug with
legs, and the legs are sticking out in bug effect.” When she looked into
the envelope, she was so excited that she tried to get me to look—at
forty miles an hour on a highway at night! Here is the drawing, meant to
be a skull and cross-bones, but so done that a “bug with legs” is really
a fair description of it (Fig. 28):
[Illustration: Fig. 28]
After we arrived at our destination, my wife did some more of the
drawings, and got partial successes. On this telephone the comment was:
“Goblet with another one floating near or above it inverted” (Figs. 29,
29a):
[Illustration: Fig. 29]
[Illustration: Fig. 29a]
And then this arrow (Figs. 30, 30a):
[Illustration: Fig. 30]
[Illustration: Fig. 30a]
Concerning the above my wife wrote: “See something that suggests a
garden tool—a lawn rake, or spade.” And for the next one (Fig. 31) she
wrote: “A pully-bone”—which is Mississippi “darky” talk for a wish-bone
of a chicken. I don’t know whether it means a bone that you pull, or
whether it is Creole for “poulet.” Here is what my secretary had drawn
(Fig. 31):
[Illustration: Fig. 31]
I had asked my secretary at the outset to make simple geometrical
designs, letters and figures, thinking that these would be easier to
recognize and reproduce. But they brought only partial successes; Craig
would get elements of the drawing but would not know how to put them
together. There were seven in the first series, and there is some
element right in every one. An oblong was drawn exactly, and then two
fragments of oblongs added to it. A capital M in script had the first
stroke done exactly, with the curl. A capital E in script was done with
the curls left out.
And the same with the second series. Here is a square—but you see that
the two halves of it are wandering about (Figs. 32, 32a):
Public-domain text, read in full here on John Shaqi.
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