Sinclair, Mary Craig, 1883-1961; Sinclair, Upton, 1878-1968; Telepathy; Telepathy -- Case studies
I draw an auto, and she replies with the hub and spokes of a wheel. Not
satisfied with this, she sets it aside, and tries again a little
later—without looking at the original drawing—and this time she produces
a horn, with indication of a noise. I give both her drawings, which are
on two sides of the same slip of paper (Figs. 57a, 57b):
[Illustration: Fig. 57a]
[Illustration: Fig. 57b]
_14_
An extraordinary incident occurred in connection with the fourth series
of drawings. While my secretary, E. M. Hart, was making the drawings,
there came into the office his brother-in-law, R. H. Craig, Jr., a
teller of the Security First National Bank of Long Beach, a person
entirely unknown to my wife. He heard what was going on, and said, “I’ll
give her some that’ll stump her.” He took a pen and drew two pictures,
which were duly wrapped in sheets of green paper and sealed in
envelopes, and put with the rest of the series. I was not at the office,
and nothing was said to me about Mr. Craig having taken part in the
matter.
My wife did this series under my eyes; and when she came to the first of
Mr. Craig’s two drawings, she wrote, “Some sort of grinning monster,”
and added an elaborate description. Then she opened the envelope, and
found a roller skate with a foot and leg attached. This, naturally, was
called a failure; but seven drawings later in the same series came Mr.
Craig’s other drawing, which was as follows (Fig. 58):
[Illustration: Fig. 58]
Now read the amazing description which my wife had written, seven
drawings back, when the first of Mr. Craig’s drawings had come under her
hand:
“Some sort of grinning monster—see only the face and a vague idea of
deformed neck and shoulders. It is a man, but it looks like a cat’s
face, cat eyes and whiskers. Don’t know just how I know it is a man—it
is a deformity. Not a cat. See color of skin which is deep, flat pink,
as of a colored picture. The face of the creature is broad and weird.
The flesh of neck, or somewhere, gives effect of rolls or creases.”
I asked my secretary what this drawing was meant to be, and he said “a
Happy Hooligan.” My cultural backwardness is such that I wasn’t sure
just what a “Happy Hooligan” might be, but my secretary told me it is a
comic supplement figure, and I then looked it up in the paper, and found
that the face of the figure as printed is a very pale pink, and the
little cap on top is a bright red. I called Mr. Craig on the phone and
asked him this question: “If you were to think of a color in connection
with a ‘Happy Hooligan,’ what color would it be?” He answered, “Red.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account