Mercia, the astronomer royal: A romanceMears, A. Garland
Science
Mercia, the astronomer royal: A romance
Mears, A. Garland
Science fiction; Utopian fiction
Dressed in crimson tunic, and steel-grey breeches, which displayed the
well-formed proportions of the lower limbs, the lines of English
combatants presented a most imposing appearance. Five hundred horsemen
brilliantly attired, with silver helmets glittering in the sunshine, and
mounted on well-trained steeds, awaited the signal to commence, while
the same number of athletes on foot stood with eager looks in perfect
readiness also.
The Indian athletes formed also a glittering galaxy of imposing
splendour. Attired throughout in white and gold, their dark complexions
set off by cream and gold helmets which shone bravely in the sunshine,
they looked, indeed worthy antagonists for the bold and hardy
Northerner. With lances drawn the combatants at the given signal now
rush towards each other. Every man singles out his adversary, when a
masterly piece of parrying takes place. With great skill and display of
well-trained muscle-power the Eastern parries the Northern’s stroke,
which is unlike all hitherto known, it being allowable only on the right
arm. If in the heat of battle an athlete should inadvertently hit his
adversary in a vital part, and thereby cause his death, the unlucky
contestant must himself pay a heavy money penalty to the family of the
slaughtered man: this rule acted most beneficially, and formed on the
whole a very safe life-insurance for each combatant.
The richly decorated galleries surrounding the scene of action are now
filled with the _élite_ of the whole world. Emperors, kings, czars,
princes, and potentates of high position accompanied by their ladies
beautifully attired make a _tout ensemble_ that once beheld could never
be forgotten.
Such a variety too, of costume as was never before seen grouped
together, dazzled the beholder; for the Eastern style differed from the
West as greatly at this time as in any previous period, but in a
contrary way. During the lapse of many generations the Eastern had been
gradually adopting the Parisian or Western mode of dress; and the
Western the flowing Eastern robes, until by this time the two modes were
reversed; or, at least as much as our northerly climate would admit.
Thus it came to pass that a fair-haired English maiden would be attired
in a flowing yellow silk robe, confined at the waist by a golden girdle,
and at her side her mother stood draped in rich velvet that hung in
graceful, flowing ripples from her shoulders; while the native of Turkey
rejoiced in a tight-fitting bodice, with skirt beflounced and befrilled
in nineteenth-century Western style.
By this time the emancipation of Turkish women from their conventional
imprisonment had taken place to their intense satisfaction. It was a
long and hard battle this struggle for independence, and natural
freedom, and was only gained eventually through the intervention of the
chief women of the Teutonic Empire.
Public-domain text, read in full here on John Shaqi.
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