They will cite you fragments such
as remain, and show you how far these can be pieced together toward the
making of a complete description of private life and public function
in those first times when the Roman commonwealth was young; but what
the missing sentences were they can only weakly conjecture. Their eyes
cannot descry those distant days with no other aids than these. Only
the greatest are dissatisfied, and go on to paint that ancient life
with the materials that will render it lifelike,--the materials of the
constructive imagination. They have other sources of information. They
see living men in the old documents. Give them but the torso, and they
will supply head and limbs, bright and animate as they must have been.
If Mommsen does not quite do that, another man, with Mommsen’s eye and
a touch more of color on his brush, might have done it,--may yet do it.
It is in this way that we get some glimpse of the only relations that
scholarship bears to literature. Literature can do without exact
scholarship, or any scholarship at all, though it may impoverish
itself thereby; but scholarship cannot do without literature. It needs
literature to float it, to set it current, to authenticate it to the
race, to get it out of closets, and into the brains of men who stir
abroad. It will adorn literature, no doubt; literature will be the
richer for its presence; but it will not, it cannot, of itself create
literature. Rich stuffs from the East do not create a king, nor warlike
trappings a conqueror. There is, indeed, a natural antagonism, let it
be frankly said, between the standards of scholarship and the standards
of literature. Exact scholarship values things in direct proportion
as they are verifiable; but literature knows nothing of such tests.
The truths which it seeks are the truths of self-expression. It is a
thing of convictions, of insights, of what is felt and seen and heard
and hoped for. Its meanings lurk behind nature, not in the facts of
its phenomena. It speaks of things as the man who utters it saw them,
not necessarily as God made them. The personality of the speaker runs
throughout all the sentences of real literature. That personality may
not be the personality of a poet: it may be only the personality of
the penetrative seer. It may not have the atmosphere in which visions
are seen, but only that in which men and affairs look keenly cut in
outline, boldly massed in bulk, consummately grouped in detail, to the
reader as to the writer. Sentences of perfectly clarified wisdom may
be literature no less than stanzas of inspired song, or the intense
utterances of impassioned feeling. The personality of the sunlight is
in the keen lines of light that run along the edges of a sword no less
than in the burning splendor of the rose or the radiant kindlings of a
woman’s eye. You may feel the power of one master of thought playing
upon your brain as you may feel that of another playing upon your heart.
Public-domain text, read in full here on John Shaqi.
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