It is doubtless due to the scientific spirit of the age that these
plain, these immemorial truths are in danger of becoming obscured.
Science, under the influence of the conception of evolution, devotes
itself to the study of forms, of specific differences, of the manner
in which the same principle of life manifests itself variously under
the compulsions of changes of environment. It is thus that it has
become “scientific” to set forth the manner in which man’s nature
submits to man’s circumstances; scientific to disclose morbid moods,
and the conditions which produce them; scientific to regard man, not
as the centre or source of power, but as subject to power, a register
of external forces instead of an originative soul, and character as
a product of man’s circumstances rather than a sign of man’s mastery
over circumstance. It is thus that it has become “scientific” to
analyze language as itself a commanding element in man’s life. The
history of word-roots, their modification under the influences of
changes wrought in the vocal organs by habit or by climate, the laws of
phonetic change to which they are obedient, and their persistence under
all disguises of dialect, as if they were full of a self-originated
life, a self-directed energy of influence, is united with the study
of grammatical forms in the construction of scientific conceptions
of the evolution and uses of human speech. The impression is created
that literature is only the chosen vessel of these forms, disclosing
to us their modification in use and structure from age to age. Such
vitality as the masterpieces of genius possess comes to seem only a
dramatization of the fortunes of words. Great writers construct for the
adventures of language their appropriate epics. Or, if it be not the
words themselves that are scrutinized, but the style of their use, that
style becomes, instead of a fine essence of personality, a matter of
cadence merely, or of grammatical and structural relationships. Science
is the study of the forces of the world of matter, the adjustments, the
apparatus, of the universe; and the scientific study of literature has
likewise become a study of apparatus,--of the forms in which men utter
thought, and the forces by which those forms have been and still are
being modified, rather than of thought itself.
Public-domain text, read in full here on John Shaqi.
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