I regret that my little essay on Henry’s second wife, Anne Boleyn, has been much misunderstood by readers of _Post Mortem_. The view I there took was that if the stories about her were true they could only be explained by the supposition that she was suffering from nymphomania. Nymphomania does not necessarily imply that a girl is of abandoned character; it is a pathological condition of the nervous system. To this day it sometimes comes on after childbirth, especially if accompanied by terror and anxiety. It is in these women part of the Curse of Eve.[4] It may happen to any woman, and sometimes causes scandal before it is discovered. What circumstances could be imagined more terrible than those in which the tragic second queen found herself. Henry had married her in hopes of gaining a son and heir in spite of the curse which people believed lay upon him for the multifarious premature births of her predecessor, or rather for the mortal sin of marrying his deceased brother’s wife. Still further to complicate the matter, Catherine of Aragon had sworn that she had never had connection with the dead Prince Arthur at all. Truly the whole thing becomes more and more complex as we gaze. A canon law which looked upon a carnal act as a deed which must be sanctified by God whenever it was performed, either before or after marriage; a girl who desired to be queen; another older woman who fought fiercely for her rights as both wife and religious fanatic; a multitude of fierce partisans; racial, political, and religious animosities; over all a man enraged by “love,” fear, and brutality. Who could get at the truth about poor little Anne’s marriage? It is impossible; one can only sympathise with everybody, and try to understand. As I said, if the stories are true they can only be explained on pathological grounds. What girl in her senses would go rushing about the Court soliciting promiscuously in the manner of which Anne is accused? Mr. Philip W. Sergeant has written a book to prove that all the stories are really based upon slanders set agoing by Chapuys, ambassador of Charles V; and it was to fierce religious and political animosity that Anne owed her bad reputation. According to him she was really a rather vindictive, free-spoken woman, a great worker with her hands, fond of dress, musical, and passionately fond of dancing. This is a new outlook on the Anne of Froude and most historians, but is confirmed by several known facts. For instance, some of her laborious needlework is said to be still preserved in Hampton Court Palace. I have not seen it, for it is many years since I was at that palace; but it must be very sad to gaze upon it and think how tragic was the fate of Mr. Sergeant’s dancing, singing, industrious little queen.