Mere mortals : $b Medico-historical essaysMacLaurin, C. (Charles)
History
Mere mortals : $b Medico-historical essays
MacLaurin, C. (Charles)
Biography; Pathology
That is probably the only real serious objection to birth-control; you
can never tell whom you are condemning to perpetual absence of life.
Thus Abraham Lincoln, strictly speaking, should never have been born,
for his mother, Nancy Hanks, though never insane, lived all her life in
the depths of gloom and on the verge of insanity. Yet it would appear
that the absence of Old Abe at a given crisis of the world’s history
might have made some difference to civilisation. And even if we are to
take bodily health as the criterion of fitness, what about Mozart, the
tuberculous and pallid little genius of Vienna whom many people still
consider as the very greatest musician that ever lived? Certainly not
even Beethoven in his first period ever attained to Mozart’s delicious
childlikeness of touch.
If the world had insisted that St. Francis of Assisi, Abe Lincoln, and
Wolfgang Amadeus Mozart should not have been born one would think that
the world would now be a poorer place than it is. And one names only a
few; for Spinoza should never have been born, doomed to live only a few
years and then to die of tuberculosis while he was mystically trying to
reduce God to a mathematical formula.
In fact one could go on for weeks on this subject, and the conclusion
that any fair-minded person must reach is that birth-control, even of
the apparently unfit, is too risky an experiment for the human race
to try if it wishes to keep its geniuses. You never can tell what the
infant may turn out that you are preventing from being born. But I am
aware that this is a highly contentious subject, and that awful thing,
“the sex-war,” is involved in it. People are sure to have differences of
opinion about it; since woman has risen to her new estate these opinions
will assuredly be held with more vigour than ever.
“Treat ’em rough” is a known and tried aphorism, which has been elevated
to a pitch of almost epic grandeur by Schopenhauer’s “Pitch ’em
downstairs”; and probably some such aphorism was in Johnson’s mind when
he rode with old Mrs. Porter to the church that they might be married,
and, you remember, reduced her to tears before they got there. Up till
then he probably had only the poet’s knowledge of woman; but that after
such an ill beginning the marriage turned out so happily, seems to argue
that Mrs. Porter, though she might paint her face, was nevertheless
a woman with the heart of a lion to tame his aggressively masculine
soul. And it is quite possible that before she died—she was twice his
age, you know—he began to have for her a love similar to that one has
for a mother. Of course it may be that Boswell, in his uncomplimentary
description of Johnson’s wife, was misled by jealousy of her who sat too
near the throne of his hero-worship. But in any case she must have been a
remarkable woman to tame Ursa Major as she did.
Public-domain text, read in full here on John Shaqi.
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