Produced by Al Haines MERELY MARY ANN BY ISRAEL ZANGWILL AUTHOR OF "CHILDREN OF THE GHETTO," "THE MASTER," ETC. POPULAR EDITION LONDON: WILLIAM HEINEMANN MCMXIII First Impression, September, 1904 New Impressions, September, 1904 (twice). POPULAR SHILLING CLOTH EDITION, 1913. The wrapper design is reproduced, by special permission, from a painting by Mr. Louis Loeb of Miss Eleanor Robson, the original "Mary Ann." MERELY MARY ANN I Sometimes Lancelot's bell rang up Mrs. Leadbatter herself, but far more often merely Mary Ann. The first time Lancelot saw Mary Ann she was cleaning the steps. He avoided treading upon her, being kind to animals. For the moment she was merely a quadruped, whose head was never lifted to the stars. Her faded print dress showed like the quivering hide of some crouching animal. There were strange irregular splashes of pink in the hide, standing out in bright contrast with the neutral background. These were scraps of the original material neatly patched in. The cold, damp steps gave Lancelot a shudder, for the air was raw. He passed by the prostrate figure as quickly as he could, and hastened to throw himself into the easy-chair before the red fire. There was a lamp-post before the door, so he knew the house from its neighbours. Baker's Terrace as a whole was a defeated aspiration after gentility. The more auspicious houses were marked by white stones, the steps being scrubbed and hearthstoned almost daily; the gloomier doorsteps were black, except on Sundays. Thus variety was achieved by houses otherwise as monotonous and prosaic as a batch of fourpenny loaves. This was not the reason why the little South London side-street was called Baker's Terrace, though it might well seem so; for Baker was the name of the builder, a worthy gentleman whose years and virtues may still be deciphered on a doddering, round-shouldered stone in a deceased cemetery not far from the scene of his triumphs.