"Listen to this bit!" said Lancelot desperately. And dashing at a
piano that stood handy, he played a couple of bars. "That's quite a
new modulation."
"That's all very well," said the publisher; "but how do you suppose I'm
going to sell a thing with an accompaniment like that? Look here, and
here! Why it's all accidentals."
"That's the best part of the song," explained Lancelot; "a sort of
undercurrent of emotion that brings out the full pathos of the words.
Note the elegant and novel harmonies." He played another bar or two,
singing the words softly.
"Yes; but if you think you'll get young ladies to play that, you've got
a good deal to learn," said the publisher gruffly. "This is the sort
of accompaniment that goes down," and seating himself at the piano for
a moment (somewhat to Lancelot's astonishment, for he had gradually
formed a theory that music-publishers did not really know the staff
from a five-barred gate), he rattled off the melody with his right
hand, pounding away monotonously with his left at a few elementary
chords.
Lancelot looked dismayed.
"That's the kind of thing you'll have to produce, young man," said the
publisher, feeling that he had at last resumed his natural supremacy,
"if you want to get your songs published. Elegant harmonies are all
very well, but who's to play them?"
"And do you mean to say that a musician in this God-forsaken country
must have no chords but tonics and dominants?" ejaculated Lancelot
hotly.
"The less he has of any other the better," said the great man drily.
"I haven't said a word about the melody itself, which is quite out of
the ordinary compass, and makes demands upon the singer's vocalisation
which are not likely to make a demand for the song. What you have to
remember, my dear sir, if you wish to achieve success, is that music,
if it is to sell, must appeal to the average amateur young person. The
average amateur young person is the main prop of music in this country."
Lancelot snatched up his song and tied the strings of his portfolio
very tightly, as if he were clenching his lips.
"If I stay here any longer I shall swear," he said: "Good afternoon."
He went out with a fire at his heart that made him insensitive to the
frost without. He walked a mile out of his way mechanically, then,
perceiving his stupidity, avenged it by jumping into a hansom. He
dared not think how low his funds were running. When he got home he
forgot to have his tea, crouching in dumb misery in his easy-chair,
while the coals in the grate faded like the sunset from red to grey,
and the dusk of twilight deepened into the gloom of night, relieved
only by a gleam from the street-lamp.
The noise of the door opening made him look up.
"Beg pardon, sir, I didn't yer ye come in."
It was Mary Ann's timid accents. Lancelot's head drooped again on his
breast. He did not answer.
"You've bin and let your fire go out, sir."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account