"Royalty? No. You mentioned the aristocracy, I think." Then he burst
into a hearty laugh. "Oh yes--on that ballad. Now, look here! I've
brought a ballad with me just to show you--a thing that is going like
wildfire."
"'Not _Good-night and good-bye_, I hope," laughed Lancelot.
"Yes--the very one!" cried Peter, astonished.
"_Himmel_!" groaned Lancelot in comic despair.
"You know it already?" inquired Peter eagerly.
"No; only I can't open a paper without seeing the advertisement and the
sickly-sentimental refrain."
"You see how famous it is, anyway," said Peter. "And if you want to
strike--er--to make a hit you'll just take that song and do a
deliberate imitation of it."
"Wha-a-a-t!" gasped Lancelot.
"My dear chap, they all do it. When the public cotton to a thing they
can't have enough of it."
"But I can write my own rot, surely."
"In the face of all this litter of 'Ops.' I daren't dispute that for a
moment. But it isn't enough to write rot--the public want a particular
kind of rot. Now just play that over--oblige me." He laid both hands
on Lancelot's shoulders in amicable appeal.
Lancelot shrugged them, but seated himself at the piano, played the
introductory chords, and commenced singing the words in his pleasant
baritone.
Suddenly Beethoven ran towards the door, howling.
Lancelot ceased playing and looked approvingly at the animal.
"By Jove! He wants to go out. What an ear for music that animal's
got!"
Peter smiled grimly. "It's long enough. I suppose that's why you call
him Beethoven."
"Not at all. Beethoven had no ear--at least not in his latest
period--he was deaf. Lucky devil! That is, if this sort of thing was
brought round on barrel-organs."
"Never mind, old man! Finish the thing."
"But consider Beethoven's feelings!"
"Hang Beethoven!"
"Poor Beethoven. Come here, my poor maligned musical critic! Would
they give you a bad name and hang you? Now you must be very quiet.
Put your paws into those lovely long ears of yours if it gets too
horrible. You have been used to high-class music, I know, but this is
the sort of thing that England expects every man to do, so the sooner
you get used to it the better." He ran his fingers along the keys.
"There, Peter, he's growling already. I'm sure he'll start again, the
moment I strike the theme."
"Let him! We'll take it as a spaniel obligato."
"Oh, but his accompaniments are too staccato. He has no sense of time."
"Why don't you teach him, then, to wag his tail like the pendulum of a
metronome? He'd be more use to you that way than setting up to be a
musician, which Nature never meant him for--his hair's not long enough.
But go ahead, old man, Beethoven's behaving himself now."
Indeed, as if he were satisfied with his protest, the little beast
remained quiet, while his lord and master went through the piece. He
did not even interrupt at the refrain.
Public-domain text, read in full here on John Shaqi.
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