Foundlings -- Fiction; Long Island (N.Y.) -- Fiction
Spring swept into summer; the green meadows were set off by great
blooms of pink marsh mallow; the sun, shining down vertically on the
white sand of the beach, caused a brilliant glare that changed, at the
horizons, to a blue haze of heat. White-sailed boats moved over the
five-mile width of Great South Bay, taking to and fro men in white
trousers and gaily-clad women and children who might wish to spend a
day at the tavern to the westward of the station, a place of ragtime
music, clicking billiard balls, “shore” dinners, and home-prepared
lunches. The clean sand was daily littered with empty shoeboxes and
crumpled paper napkins by these family groups who picnicked between
dips in the surf. Except for a few inevitable “fine swimmers” they
clung, laughing and shrieking, to a line of rope tethered to a barrel
just beyond the break of the waves.
With the children of these beach parties Mermaid could play the day
long and sometimes did; many of the visitors were summer residents of
the south shore of Long Island, but not many of them had heard the
little girl’s story; if they gave her any thought they accepted her
as a child of one of the Coast Guardsmen. Strollers who came to the
station to look at the apparatus of life saving--the breeches buoy,
the life car which travelled to and from a distressed ship and the
shore, the surf boat resting on its truck, and ready to be hauled
laboriously through a mile or more of sand, the gun--these people would
see Mermaid, but never think to ask her history. Why should they,
indeed, even suppose she had one? And in telling of wrecks along the
beach Cap’n Smiley generally omitted any mention of one; if he was
asked about the time the _Mermaid_ came ashore he would answer quite
willingly, but a specific question was necessary to elicit the most
romantic and still mysterious part of that story.
The keeper had many other tales unusual enough to satisfy the craving
of the casual caller for a picturesque yarn. Out of his thirty years
at the station he could supply episodes ranging from the ridiculous
to the horrible, and many rehearsals, joined to some natural gift as
a narrator, enabled him to tell his stories well. In pleasant summer
weather, however, they lost much of their possible effectiveness; to
appraise them at their true worth you had to hear them in winter,
sitting and smoking or dreaming by the blazing stove in the station’s
long living room, a lamp swinging overhead, the wind shaking the
building while the sound of the not-distant surf came in to you as a
thunderous and unbroken roar. On a summer’s night with all the stars
shining, the wind whispering and bringing coolness from the leagues
of ocean, the surf merely murmuring and--yes, the mosquitoes biting
moderately--on such a night you could form no just conception of the
setting in which these tales belonged.
Public-domain text, read in full here on John Shaqi.
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