Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
He put in the hours until nightfall in aimless wandering and idle
gazing, and was early at the pool-side where his heroine would do her
sensational acting. It was now a scene of thrilling activity. Immense
lights, both from the scaffolding and from a tower back of the
sailing-craft, flooded its deck and rigging from time to time as
adjustments were made. The rigging was slack and the deck was still
littered, intentionally so, he now perceived. The gallant little boat
had been cruelly buffeted by a gale. Two sailors in piratical dress
could be seen to emerge at intervals from the cabin.
Suddenly the gale was on with terrific force, the sea rose in great
waves, and the tiny ship rocked in a perilous manner. Great billows
of water swept its decks. Merton Gill stared in amazement at these
phenomena so dissonant with the quiet starlit night. Then he traced them
without difficulty to their various sources. The gale issued from the
swift revolutions of that aeroplane propeller he had noticed a while
ago. The flooding billows were spilled from the big tank at the top
of the scaffold and the boat rocked in obedience to the tugging of a
rope--tugged from the shore by a crew of helpers--that ran to the top of
its mast. Thus had the storm been produced.
A spidery, youngish man from one of the platforms built out from the
scaffold, now became sharply vocal through a megaphone to assistants
who were bending the elements to the need of this particular hazard of
Hortense. He called directions to the men who tugged the rope, to the
men in control of the lights, and to another who seemed to create the
billows. Among other items he wished more action for the boat and more
water for the billows. “See that your tank gets full-up this time,”
he called, whereupon an engine under the scaffold, by means of a large
rubber hose reaching into the pool, began to suck water into the tank
above.
The speaker must be Miss Baxter’s director, the enviable personage who
saw her safely through her perils. When one of the turning reflectors
illumined him Merton saw his face of a keen Semitic type. He seemed to
possess not the most engaging personality; his manner was aggressive,
he spoke rudely to his doubtless conscientious employees, he danced
in little rages of temper, and altogether he was not one with whom the
watcher would have cared to come in contact. He wondered, indeed, that
so puissant a star as Beulah Baxter should not be able to choose her own
director, for surely the presence of this unlovely, waspishly tempered
being could be nothing but an irritant in the daily life of the
wonder-woman. Perhaps she had tolerated him merely for one picture.
Perhaps he was especially good in shipwrecks.
Public-domain text, read in full here on John Shaqi.
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