Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
If Merton Gill were in this company he would surely have words with this
person, director or no director. He hastily wrote a one-reel scenario in
which the man so far forgot himself as to speak sharply to the star, and
in which a certain young actor, a new member of the company, resented
the ungentlemanly words by pitching the offender into a convenient pool
and earned even more than gratitude from the starry-eyed wonder-woman.
The objectionable man continued active, profuse of gesture and
loud through the megaphone. Once more the storm. The boat rocked
threateningly, the wind roared through its slack rigging, and giant
billows swept the frail craft. Light as from a half-clouded moon broke
through the mist that issued from a steam pipe. There was another lull,
and the Semitic type on the platform became increasingly offensive.
Merton saw himself saying, “Allow me, Miss Baxter, to relieve you of
the presence of this bounder.” The man was impossible. Constantly he had
searched the scene for his heroine. She would probably not appear until
they were ready to shoot, and this seemed not to be at once if the
rising temper of the director could be thought an indication.
The big hose again drew water from the pool to the tank, whence, at a
sudden release, it would issue in billows. The big lights at last seemed
to be adjusted to the director’s whim. The aeroplane propeller whirred
and the gale was found acceptable. The men at the rope tugged the boat
into grave danger. The moon lighted the mist that overhung the scene.
Then at last Merton started, peering eagerly forward across the length
of the pool. At the far end, half illumined by the big lights, stood
the familiar figure of his wonder--woman, the slim little girl with the
wistful eyes. Plainly he could see her now as the mist lifted. She was
chatting with one of the pirates who had stepped ashore from the boat.
The wonderful golden hair shone resplendent under the glancing rays of
the arcs. A cloak was about her shoulders, but at a word of command from
the director she threw it off and stepped to the boat’s deck. She was
dressed in a short skirt, her trim feet and ankles lightly shod and
silken clad. The sole maritime touch in her garb was a figured kerchief
at her throat similar to those worn by the piratical crew.
“All ready, Hortense--all ready Jose and Gaston, get your places.”
Miss Baxter acknowledged the command with that characteristic little
wave of a hand that he recalled from so many of her pictures, a
half-humorous, half-mocking little defiance. She used it often when
escaping her pursuers, as if to say that she would see them in the next
installment.
Public-domain text, read in full here on John Shaqi.
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