Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
He was sympathetic and delighted in equal parts. The girl had really
seemed to suffer from her paroxysm, yet it was a splendid tribute to his
screen worth.
It was at this moment that Baird entered. He tossed his hat on a chair
and turned to the couple.
“Mr. Baird, shake hands with my friend Merton Gill. His stage name is
Clifford Armytage.”
“Very pleased to meet you,” said Merton, grasping the extended hand.
He hoped he had not been too dignified, too condescending. Baird would
sometime doubtless know that he did not approve of those so-called
comedies, but for the present he must demean himself to pay back some
money borrowed from a working girl.
“Delighted,” said Baird; then he bent a suddenly troubled gaze upon the
Gill lineaments. He held this a long moment, breaking it only with a
sudden dramatic turning to Miss Montague.
“What’s this, my child? You’re playing tricks on the old man.” Again
he incredulously scanned the face of Merton. “Who is this man?” he
demanded.
“I told you, he’s Merton Gill from Gushwomp, Ohio,” said the girl,
looking pleased and expectant.
“Simsbury, Illinois,” put in Merton quickly, wishing the girl could be
better at remembering names.
Baird at last seemed to be convinced. He heavily smote an open palm with
a clenched fist. “Well, I’ll be swoshed! I thought you must be kidding.
If I’d seen him out on the lot I’d ‘a’ said he was the twin brother of
Harold Parmalee.”
“There!” exclaimed the girl triumphantly. “Didn’t I say he’d see it
right quick? You can’t keep a thing from this old bey. Now you just
came over here to this desk and look at this fine batch of stills he had
taken by a regular artist back in Cranberry.”
“Ah!” exclaimed Baird unctuously, “I bet they’re good. Show me.” He went
to the desk. “Be seated, Mr. Gill, while I have a look at these.”
Merton Gill, under the eye of Baird which clung to him with something
close to fascination, sat down. He took the chair with fine dignity,
a certain masterly deliberation. He sat easily, and seemed to await a
verdict confidently foreknown. Baird’s eyes did not leave him for the
stills until he had assumed a slightly Harold Parmalee pose. Then his
head with the girl’s bent over the pictures, he began to examine them.
Exclamations of delight came from the pair. Merton Gill listened
amiably. He was not greatly thrilled by an admiration which he had
long believed to be his due. Had he not always supposed that things of
precisely this sort would be said about those stills when at last they
came under the eyes of the right people?
Public-domain text, read in full here on John Shaqi.
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