Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
Like the Montague girl, Baird was chiefly impressed with the Westerns.
He looked a long time at them, especially at the one where Merton’s
face was emotionally averted from his old pal, Pinto, at the moment of
farewell. Regarding Baird, as he stood holding this art study up to the
light, Merton became aware for the first time that Baird suffered from
some nervous affliction, a peculiar twitching of the lips, a trembling
of the chin, which he had sometimes observed in senile persons. All
at once Baird seemed quite overcome by this infirmity. He put a
handkerchief to his face and uttered a muffled excuse as he hastily left
the room. Outside, the noise of his heavy tread died swiftly away down
the hall.
The Montague girl remained at the desk. There was a strange light in her
eyes and her face was still flushed. She shot a glance of encouragement
at Merton.
“Don’t be nervous, old Kid; he likes ‘em all right.” He reassured her
lightly: “Oh, I’m not a bit nervous about him. It ain’t as if he was
doing something worth while, instead of mere comedies.”
The girl’s colour seemed to heighten. “You be sure to tell him that;
talk right up to him. Be sure to say ‘mere comedies.’ It’ll show him
you know what’s what. And as a matter of fact, Kid, he’s trying to do
something worth while, right this minute, something serious. That’s why
he’s so interested in you.”
“Well, of course, that’s different.” He was glad to learn this of
Baird. He would take the man seriously if he tried to be serious, to do
something fine and distinctive.
Baird here returned, looking grave. The Montague girl seemed more
strangely intense. She beckoned the manager to her side.
“Now, here, Jeff, here was something I just naturally had to laugh at.”
Baird had not wholly conquered those facial spasms, but he controlled
himself to say, “Show me!”
“Now, Merton,” directed the girl, “take that same pose again, like you
did for me, the way you are in this picture.”
As Merton adjusted himself to the Parmalee pose she handed the picture
to Baird. “Now, Jeff, I ask you--ain’t that Harold to the life--ain’t it
so near him that you just have to laugh your head off?”
It was even so. Baird and the girl both laughed convulsively, the former
with rumbling chuckles that shook his frame. When he had again composed
himself he said, “Well, Mr. Gill, I think you and I can do a little
business. I don’t know what your idea about a contract is, but--”
Merton Gill quickly interrupted. “Well, you see I’d hardly like to
sign a contract with you, not for those mere comedies you do. I’ll do
anything to earn a little money right now so I can pay back this
young lady, but I wouldn’t like to go on playing in such things, with
cross-eyed people and waiters on roller skates, and all that. What
I really would like to do is something fine and worth while, but not
clowning in mere Buckeye comedies.”
Public-domain text, read in full here on John Shaqi.
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