“Now your old mother’s coming to mop up the place,” called Baird. “Come on, Mother! You look up and see her, and rush over to her. She puts down her bucket and mop, and takes you in her arms. She’s weeping; you try to comfort her; you want her to give up mopping, and tell her you can make enough to support two, but she won’t listen because there’s the mortgage on the little flat to be paid off. So you go back to the desk, stopping to give her a sad look as she gets down on the floor. Now, try it.” A very old, bent, feeble woman with a pail of water and cloths tottered on. Her dress was ragged, her white hair hung about her sad old face in disorderly strands. She set down her bucket and raised her torn apron to her eyes. “Look up and see her,” called Baird. “A glad light comes into her eyes. Rush forward--say ‘Mother’ distinctly, so it’ll show. Now the clench. You’re crying on his shoulder, Mother, and he’s looking down at you first, then off, about at me. He’s near crying himself. Now he’s telling you to give up mopping places, and you’re telling him every little helps. “All right, break. Get to mopping, Mother, but keep on crying. He stops for a long look at you. He seems to be saying that some day he will take you out of such work. Now he’s back at his desk. All right. But we’ll do it once more. And a little more pathos, Merton, when you take the old lady in your arms. You can broaden it. You don’t actually break down, but you nearly do.” The scene was rehearsed again, to Baird’s satisfaction, and the cameras ground. Merton Gill gave the best that was in him. His glad look at first beholding the old lady, the yearning of his eyes when his arms opened to enfold her, the tenderness of his embrace as he murmured soothing words, the lingering touch of his hand as he left her, the manly determination of the last look in which he showed a fresh resolve to release her from this toil, all were eloquent of the deepest filial devotion and earnestness of purpose. Back at his desk he was genuinely pitying the old lady. Very lately, it was evident, she had been compelled to play in a cabaret scene, for she smelled strongly of cigarettes, and he could not suppose that she, her eyes brimming with anguished mother love, could have relished these. He was glad when it presently developed that his own was not to be a smoking part. “Now the dissipated brother’s coming on,” explained Baird. “He’ll breeze in, hang up his hat, offer you a cigarette, which you refuse, and show you some money that he won on the third race yesterday. You follow him a little way from the desk, telling him he shouldn’t smoke cigarettes, and that money he gets by gambling will never do him any good. He laughs at you, but you don’t mind. On your way back to the desk you stop by your mother, and she gets up and embraces you again. “Take your time about it--she’s your mother, remember.”