Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
The brother entered. He was indeed dissipated appearing, loudly dressed,
and already smoking a cigarette as he swaggered the length of the shop
to offer Merton one. Merton refused in a kindly but firm manner. The
flashy brother now pulled a roll of bills from his pocket and pointed
to his winning horse in a racing extra. The line in large type was there
for the close-up--“Pianola Romps Home in Third Race.”
Followed the scene in which Merton sought to show this youth that
cigarettes and gambling would harm him. The youth remained obdurate. He
seized a duster and, with ribald action, began to dust off the rows
of cooked food on the counters. Again the son stopped to embrace his
mother, who again wept as she enfolded him. The scene was shot.
Step by step, under the patient coaching of Baird, the simple drama
unfolded. It was hot beneath the lights, delays were frequent and the
rehearsals tedious, yet Merton Gill continued to give the best that was
in him. As the day wore on, the dissipated son went from bad to worse.
He would leave the shop to place money on a horse race, and he would
seek to induce the customers he waited on to play at dice with him. A
few of them consented, and one, a coloured man who had come to purchase
pigs’-feet, won at this game all the bills which the youth had shown to
Merton on entering.
There were moments during this scene when Merton wondered if Baird were
not relapsing into Buckeye comedy depths, but he saw the inevitable
trend of the drama and the justification for this bit of gambling. For
the son, now penniless, became desperate. He appealed to Merton for a
loan, urging it on the ground that he had a sure thing thirty--to-one
shot at Latonia. At least these were the words of Baird, as he directed
Merton to deny the request and to again try to save the youth from his
inevitable downfall. Whereupon the youth had sneered at Merton and left
the place in deep anger.
There followed the scene with the boy’s sister, only daughter of the
rich delicatessen merchant, who Merton was pleased to discover would
be played by the Montague girl. She entered in a splendid evening gown,
almost too splendid, Merton thought, for street wear in daylight, though
it was partially concealed by a rich opera cloak. The brother being out,
Merton came forward to wait upon her.
“It’s like this,” Baird explained. “She’s just a simple New York society
girl, kind of shallow and heartless, because she has never been aroused
nor anything, see? You’re the first one that’s really touched her heart,
but she hesitates because her father expects her to marry a count and
she’s come to get the food for a swell banquet they’re giving for him.
She says where’s her brother, and if anything happened to him it would
break her heart. Then she orders what she wants and you do it up for
her, looking at her all the time as if you thought she was the one girl
in the world.
Public-domain text, read in full here on John Shaqi.
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