Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
“Kind of funny. He’d do anything on that machine. He’d jump clean over
an auto and he’d leap a thirty-foot ditch and he was all set to pull a
new one for Jeff Baird when it happened. Jeff was going to have him
ride his motorcycle through a plate-glass window. The set was built and
everything ready and then the merry old sun don’t shine for three days.
Every morning Bert would go over to the lot and wait around in the fog.
And this third day, when it got too late in the afternoon to shoot even
if the sun did show, he says to me, ‘c’mon, hop up and let’s take a ride
down to the beach.’ So I hop to the back seat and off we start and on a
ninety-foot paved boulevard what does Bert do but get caught in a jam?
It was an ice wagon that finally bumped us over. I was shook up and
scraped here and there. But Bert was finished. That’s the funny part.
He’d got it on this boulevard, but back on the lot he’d have rode
through that plate-glass window probably without a scratch. And just
because the sun didn’t shine that day, I wasn’t engaged any more. Bert
was kind of like some old sea-captain that comes back to shore after
risking his life on the ocean in all kinds of storms, and falls into a
duck-pond and gets drowned.”
She sat a long time staring out over the landscape, still holding
his hand. Inside the fence before the farmhouse three of the New York
villains were again engaged in athletic sports, but she seemed oblivious
of these. At last she turned to him again with an illumining smile.
“But I was dead in love once before that, and that’s how I know just
how you feel about Baxter. He was the preacher where we used to go to
church. He was a good one. Pa copied a lot of his stuff that he uses
to this day if he happens to get a preacher part. He was the loveliest
thing. Not so young, but dark, with wonderful eyes and black hair, and
his voice would go all through you. I had an awful case on him. I was
twelve, and all week I used to think how I’d see him the next Sunday.
Say, when I’d get there and he’d be working--doing pulpit stuff--he’d
have me in kind of a trance.
“Sometimes after the pulpit scene he’d come down right into the audience
and shake hands with people. I’d almost keel over if he’d notice me. I’d
be afraid if he would and afraid if he wouldn’t. If he said ‘And how
is the little lady this morning?’ I wouldn’t have a speck of voice to
answer him. I’d just tremble all over. I used to dream I’d get a job
workin’ for him as extra, blacking his shoes or fetching his breakfast
and things.
“It was the real thing, all right. I used to try to pray the way he
did--asking the Lord to let me do a character bit or something with him.
He had me going all right. You must ‘a’ been that way about Baxter.
Sure you were. When you found she was married and used a double and
everything, it was like I’d found this preacher shooting hop or using a
double in his pulpit stuff.”
She was still again, looking back upon this tremendous episode.
Public-domain text, read in full here on John Shaqi.
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