Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
“Yes, that’s about the way I felt,” he told her. Already his affair
with Mrs. Rosenblatt seemed a thing of his childhood. He was wondering,
rather, if the preacher could have been the perfect creature the girl
was now picturing him. It would not have displeased him to learn that
this refulgent being had actually used a double in his big scenes, or
had been guilty of mere human behaviour at odd moments. Probably, after
all, he had been just a preacher. “Uncle Sylvester used to want me to be
a preacher,” he said, with apparent irrelevance, “even if he was his own
worst enemy.” He added presently, as the girl remained silent, “I always
say my prayers at night.” He felt vaguely that this might raise him to
the place of the other who had been adored. He was wishing to be thought
well of by this girl.
She was aroused from her musing by his confession. “You do? Now ain’t
that just like you? I’d have bet you did that. Well, keep on, son. It’s
good stuff.”
Her serious mood seemed to pass. She was presently exchanging tart
repartee with the New York villains who had perched in a row on the
fence to be funny about that long--continued holding of hands in the
motor car. She was quite unembarrassed, however, as she dropped the hand
with a final pat and vaulted to the ground over the side of the car.
“Get busy, there!” she ordered. “Where’s your understander--where’s your
top-mounter?” She became a circus ringmaster. “Three up and a roll for
yours,” she commanded. The three villains aligned themselves on the
lawn. One climbed to the shoulders of the other and a third found
footing on the second. They balanced there, presently to lean forward
from the summit. The girl played upon an imaginary snare drum with a
guttural, throaty imitation of its roll, culminating in the “boom!” of
a bass-drum as the tower toppled to earth. Its units, completing their
turn with somersaults, again stood in line, bowing and smirking their
acknowledgments for imagined applause.
The girl, a moment later, was turning hand-springs. Merton had never
known that actors were so versatile. It was an astounding profession, he
thought, remembering his own registration card that he had filled out
at the Holden office. His age, height, weight, hair, eyes, and his
chest and waist measures; these had been specified, and then he had been
obliged to write the short “No” after ride, drive, swim, dance--to write
“No” after “Ride?” even in the artistically photographed presence of
Buck Benson on horseback!
Yet in spite of these disabilities he was now a successful actor at
an enormous salary. Baird was already saying that he would soon have a
contract for him to sign at a still larger figure. Seemingly it was a
profession in which you could rise even if you were not able to turn
hand-springs or were more or less terrified by horses and deep water and
dance music.
Public-domain text, read in full here on John Shaqi.
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