Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
So it was that on the following night he enjoyed a home evening with the
Montagues. Mrs. Montague had indeed cooked up something else, and had
done it well; while Mr. Montague offered at the sideboard a choice
of amateur distillations and brews which he warmly recommended to the
guest. While the guest timidly considered, having had but the slightest
experience with intoxicants, it developed that the confidence placed
in his product by the hospitable old craftsman was not shared by his
daughter.
“Keep off it,” she warned, and then to her father, “Say, listen, Pa,
have a heart; that boy’s got to work to-morrow.” “So be it, my child,”
replied Mr. Montague with a visible stiffening of manner. “Sylvester
Montague is not the man to urge strong drink upon the reluctant or the
over-cautious. I shall drink my aperatif alone.”
“Go to it, old Pippin,” rejoined his daughter as she vanished to the
kitchen.
“Still, a little dish of liquor at this hour,” continued the host
suggestively when they were alone.
“Well”--Merton wished the girl had stayed--“perhaps just a few drops.”
“Precisely, my boy, precisely. A mere dram.” He poured the mere dram and
his guest drank. It was a colourless, fiery stuff with an elusive taste
of metal. Merton contrived an expression of pleasure under the searching
glance of his host. “Ah, I knew you would relish it. I fancy I could
amaze you if I told you how recently it was made. Now here”--He grasped
another bottle purposely--“is something a full ten days older. It has
developed quite a bouquet. Just a drop--”
The guest graciously yet firmly waved a negation.
“Thanks,” he said, “but I want to enjoy the last--it--it has so much
flavour.”
“It has; it has, indeed. I’ll not urge you, of course. Later you must
see the simple mechanism by which I work these wonders. Alone, then, I
drink to you.”
Mr. Montague alone drank of two other fruits of his loom before the
ladies appeared with dinner. He was clean--shaven now and his fine face
glowed with hospitality as he carved roast chickens. The talk was of
the shop: of what Mr. Montague scornfully called “grind shows” when
his daughter led it, and of the legitimate hall-show when he gained the
leadership. He believed that moving pictures had sounded the knell of
true dramatic art and said so in many ways.
Public-domain text, read in full here on John Shaqi.
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