Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
He tried to imagine the sensations of Lawrence Barrett or Louis James
could they behold Sylvester Montague, whom both these gentlemen had
proclaimed to be no mean artist, enacting the role of a bar-room
rowdy five days on end by reclining upon a sawdust floor with his back
supported by a spirits barrel. The supposititious comments of the
two placed upon the motion-picture industry the black guilt of having
degraded a sterling artist to the level of a peep-show mountebank. They
were frankly disgusted at the spectacle, and their present spokesman
thought it as well that they had not actually lived to witness it--even
the happier phases of this so-called art in which a mere chit of a girl
might earn a living wage by falling downstairs for a so-called star,
or the he-doll whippersnapper--Merton Gill flinched in spite of
himself--could name his own salary for merely possessing a dimpled chin.
Further, an artist in the so-called art received his payment as if he
had delivered groceries at one’s back door. “You, I believe--“--The
speaker addressed his guest--“are at present upon a pay-roll; but there
are others, your elders-possibly your betters, though I do not say
that--”
“You better not,” remarked his daughter, only to be ignored.
“--others who must work a day and at the close of it receive a slip of
paper emblazoned ‘Talent Pay Check.’ How more effectively could they
cheapen the good word ‘talent’? And at the foot of this slip you are
made to sign, before receiving the pittance you have earned, a consent
to the public exhibition for the purpose of trade or advertising, of
the pictures for which you may have posed. Could tradesmen descend to a
lower level, I ask you?”
“I’ll have one for twelve fifty to-morrow night,” said Mrs. Montague,
not too dismally. “I got to do a duchess at a reception, and I certainly
hope my feet don’t hurt me again.”
“Cheer up, old dears! Pretty soon you can both pick your parts,” chirped
their daughter. “Jeff’s going to give me a contract, and then you can
loaf forever for all I care. Only I know you won’t, and you know you
won’t. Both of you’d act for nothing if you couldn’t do it for money.
What’s the use of pretending?”
“The chit may be right, she may be right,” conceded Mr. Montague sadly.
Later, while the ladies were again in the kitchen, Mr. Montague, after
suggesting, “Something in the nature of an after-dinner cordial,”
quaffed one for himself and followed it with the one he had poured
out for a declining guest who still treasured the flavour of his one
aperitif.
He then led the way to the small parlour where he placed in action on
the phonograph a record said to contain the ravings of John McCullough
in his last hours. He listened to this emotionally.
Public-domain text, read in full here on John Shaqi.
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