Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
Merton Gill had indeed been reckless. He was now, he felt, actually one
of the Hollywood set. He wondered how Tessie Kearns would regard his
progress. Would she be alarmed to know he attended those gay parties
that so often brought the film colony into unfavourable public notice?
Jolly dinners, dancing, gambling, drinking with actresses--for Mr.
Montague had at last turned out a beer that met with the approval not
only of his guests but of his own more exacting family. The vivacious
brew would now and again behave unreasonably at the moment of being
released, but it was potable when subdued.
It was a gay life, Merton felt. And as for the Montague girl’s questions
and warnings about his money, he would show her! He had, of course,
discharged his debt to her in the first two weeks of his work with
Baird. Now he would show her what he really thought of money.
He would buy her a gift whose presentation should mark a certain great
occasion. It should occur on the eve of his screen debut, and would
fittingly testify his gratitude. For the girl, after all, had made him
what he was. And the first piece was close to its premiere. Already he
had seen advance notices in the newspapers. The piece was called Hearts
On Fire, and in it, so the notices said, the comedy manager had at
last realized an ambition long nourished. He had done something new and
something big: a big thing done in a big way. The Montague girl would
see that the leading man who had done so much to insure the success of
Baird’s striving for the worth-while drama was not unforgetful of her
favours and continuous solicitude.
He thought first of a ring, but across the blank brick wall of the
jewellery shop he elected to patronize was an enormous sign in white:
The House of Lucky Wedding Rings. This staring announcement so alarmed
him that he not only abandoned the plan for a ring-any sort of ring
might be misconstrued, he saw-but in an excess of caution chose another
establishment not so outspoken. If it kept wedding rings at all, it
was decently reticent about them, and it did keep a profusion of other
trinkets about which a possible recipient could entertain no false
notions. Wrist watches, for example. No one could find subtle or hidden
meanings in a wrist watch.
He chose a bauble that glittered prettily on its black silk bracelet,
and was not shocked in the least when told by the engaging salesman that
its price was a sum for which in the old days Gashwiler had demanded a
good ten weeks of his life. Indeed it seemed rather cheap to him when
he remembered the event it should celebrate. Still, it was a pleasing
trifle and did not look cheap.
“Do you warrant it to keep good time?” he sternly demanded.
Public-domain text, read in full here on John Shaqi.
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