Merton Gill thought he saw. He exhaled smoke, toyed contemptuously with the cards at his right hand and, with a gesture of repulsion, pushed the wine glass farther away. He saw the hollowness of it all. The spirit of wine sang in his glass but to deaf ears. Chance could no longer entice him. It might again have been suspected that cigarettes were ceasing to allure. “Good work! Keep it up,” said Henshaw and went back to his cameras. The lights jarred on; desperate gaming was filmed. “More life at the roulette tables,” megaphoned Henshaw. “Crowd closer around that left-hand faro table. You’re playing for big stakes.” The gaming became more feverish. The mad light of pleasure was in every eye, yet one felt that the blight of Broadway was real. The camera was wheeled forward and Merton Gill joyously quit smoking while Henshaw secured flashes of various groups, chiefly of losers who were seeing the hollowness of it all. He did not, however, disdain a bit of comedy. “Miss Montague.” “Yes, Mr. Henshaw.” The Montague girl paused in the act of sprinkling chips over a roulette lay-out. “Your escort has lost all his chips and you’ve lost all he bought for you--” The girl and her escort passed to other players the chips before them, and waited. “Your escort takes out his wallet, shows it to you empty, and shrugs his shoulders. You shrug, too, but turn your back on him, facing the camera, and take some bills out of your stocking--see what I mean? Give her some bills, someone.” “Never mind, Mr. Henshaw; I already got some there.” The pantomime was done, the girl turned, stooped, withdrew flattened bills from one of the salmon-pink stockings and flourished them at her escort who achieved a transition from gloom to joy. Merton Gill, observing this shameless procedure, plumbed the nether depths of disgust for Broadway’s night life. The camera was now wheeled toward him and he wearily lighted another cigarette. “Get a flash of this chap,” Henshaw was saying. The subject leaned forward in his chair, gazing with cynical eyes at the fevered throng. Wine, women, song, all had palled. Gambling had no charm--he looked with disrelish at the cigarette he had but just lighted. “All right, Paul, that’s good. Now get that bunch over at the crap table.” Merton Gill lost no time in relinquishing his cigarette. He dropped it into the wine glass which became a symbol of Broadway’s dead-sea fruit. Thereafter he smoked only when he was in the picture. He felt that he was becoming screen wise. And Henshaw had remembered him. The cast of The Blight of Broadway might not be jewelled with his name, but his work would stand out. He had given the best that was in him.