Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
He watched the entrance of Muriel Mercer, maddest of all the mad throng,
accompanied by the two young men and the girl who was not so beautiful.
He watched her lose steadily, and saw her string of pearls saved by the
elderly scoundrel who had long watched the beautiful girl as only the
Wolf of Wall Street could watch one so fair. He saw her leave upon
his arm, perhaps for further unwholesome adventure along Broadway. The
lights were out, the revelry done.
Merton Gill beyond a doubt preferred Western stuff, some heart-gripping
tale of the open spaces, or perhaps of the frozen north, where he could
be the hard-riding, straight-shooting, two-fisted wonder-man, and not
have to smoke so many cigarettes--only one now and then, which he would
roll himself and toss away after a few puffs. Still, he had shown above
the mob of extra people, he thought. Henshaw had noticed him. He was
coming on.
The Montague girl hailed him as he left the set. “Hullo, old trouper. I
caught you actin’ again to-day, right out before the white folks. Well,
so far so good. But say, I’m glad all that roulette and stuff was for
the up-and-down stage and not on the level. I’d certainly have lost
everything but my make-up. So long, Kid!” She danced off to join a group
of other women who were leaving. He felt a kindly pity for the child.
There could be little future in this difficult art for one who took it
so lightly; who talked so frankly to strangers without being introduced.
At luncheon in the cafeteria he waited a long time in the hope of
encountering Henshaw, who would perhaps command his further services
in the cause of creative screen art. He meant to be animated at this
meeting, to show the director that he could be something more than an
actor who had probed the shams of Broadway. But he lingered in vain. He
thought Henshaw would perhaps be doing without food in order to work on
the scenario for Robinson Crusoe, Junior.
He again stopped to thank his friend, the casting director, for securing
him his first chance. She accepted his thanks smilingly, and asked him
to drop around often. “Mind, you don’t forget our number,” she said.
He was on the point of making her understand once for all that he would
not forget the number, that he would never forget Gashwiler’s address,
that he had been coming to this studio too often to forget its location.
But someone engaged her at the window, so he was obliged to go on
without enlightening the woman. She seemed to be curiously dense.
CHAPTER VII. “NOTHING TO-DAY, DEAR!”
Public-domain text, read in full here on John Shaqi.
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